March 9, 2006

Dominos

I have always been fascinated by dominos. And not because the word is sometimes synonymous with concealment, façade, or duplicity, which, for a writer, is heaven--figuring out the “truth” of a situation and when that doesn’t work, just making stuff up. Indeed, it is through the game of dominos that I have learned many things about my friends, and I have met many people who have become very important in my life and fictions.


My earliest recollection of dominos goes back to when I was living in Mona Heights, and my brother, Ansel (co-founder of Real Mona a la Real Madrid), Uncle Danny, Uncle Bunny, (uncles of my friend, David), Nando (my cousin), David’s father, and various other “uncles” would begin their games at 12 noon on Saturdays and play until 12 midnight. Of course, there would be liberal amounts of alcohol and the smell of tobacco from cigarettes, cigars and pipes would fill the air. Our aunts and mothers (my mother was excluded, Saturday was Sabbath) would be cooking and supplying food that was either freshly cooked or left over from their mah-jongg or bridge parties on Friday nights. Mona Heights when I was growing up was a cosmopolitan enclave in Kingston where Africans, East Indians, Chinese, English, Scots, Irish (we knew the difference) , Germans (during my adolescence one permanently bikini-clad German woman tried to teach me German--and I was learning a few words!—until she figured out I wasn’t hanging around to learn how to say hund correctly), and homegrown Jamaicans (and this was just my block) who were a mixture of all of these, came together to build a community that fell apart with Michael Manley (another famous JC Old Boy) and democratic socialism.


But the game was the thing, and my friends, Junior, Paul, David, and I grew up watching these men play dominos, and after our football games, we could play dominos on Pat Chin’s verandah or over at Jah Mick’s house ("I Want to Disturb my Neighbor") where we had our first introduction to roots music. Our games, like our fathers’ and uncles’, were friendly and if we did bet, it was usually, “If I lose, I’ll drink a gallon of water!”—sort of like Truth or Dare where we would talk and tease each other about what happened during the week. We were basically amateurs playing what Uncle Danny called, “a big man’s game”.


It wasn’t until I began working at the Collector General’s Office in Jamaica that I realized the truth of that statement.


Dominos at the Collector General’s Office was a serious business. We would play dominos during our morning, tea (holdover from the British colonial system) and lunch breaks with our food or tea (Ha!) served to us my Daisy, the cook from the cafeteria. Shine (who had set up the tables and chairs at the back end of the filing room), Alex, Dicko, Georgie, and Peggy (who became the model for the character in Chapter Nine of Benjamin, My Son) became my mentors. 

They were masters of a game that involves some amount of chance—but to paraphrase W.C. Fields speaking about poker, “Not the way I play it”—concentration, mathematical/analytical skills, and intuition. I am only good at the chance and intuition. Shine and Georgie showed me the dark side of dominos that involves hand signs and codes (strange they should choose that word) to win. It was by watching them that I recreated the Standpipe domino scene in Benjamin, My Son. They were also the ones who dubbed me “The Bareback Kid”—a double entendre having to do with “posing” a tile or “card” without enough similar “cards”, and a reference to having sex without a condom (See also yesterday’s post about nicknames). I learned how the game could be used by brilliant people with excellent mathematical/ analytical skills (who for the most part had been discarded by the system since they were eleven because they had not been given a full high school education at prestigious places like Jamaica College), but knew how to “read” a game and people.


Yet, as good as they were, the master remains for me, Beeline, a small, thin Black man who was always dressed in blue, Banlon shirts. I met Beeline at the Hogg Heaven Hotel in Negril (my friend, Paul, was the manger), and he became for me what the game was all about.

Beeline was a gracious man who could consume huge amounts of whisky, vodka, and John Crow Batty while smoking and telling jokes. Beeline (when I met him, he was in his late sixties and blind in one eye--my one-eyed Tiresias), could read a game (to figure out the cards in each player’s hand with a high degree of accuracy) after one round, and if he wanted to he could win or lose (he would always lose to the tourists—he wasn’t a fool). He could code and could spot a code, but he never used code. He taught me many things about the game and in the short time I was there, about life. He eventually became a character in a short story, "Beeline Against Babylon” which was published in The Caribbean Writer. I’d like to think that Beeline is still down in Jamaica playing dominos, drinking, laughing, teaching the tourist where, when, and what to avoid during their stay. But I’m probably wrong.


I learned about camaraderie and friendship from playing dominos, and my friends, Junior, Paul, Pat (he has since died), and David, have shown me that even though we might be miles apart, if we pull out a pack of dominos (bone, ivory, plastic, metal or wood), a few chairs or crates, a table or flat surface, and a couple of Red Stripes, we will all have a great evening filled with trash talking, jiving, laughing—and everything will be irie.

March 8, 2006

JC Memories: How I Became Herbert Spliffington, Esq.



About thirty-seven years ago after I passed the Common Entrance Exams and won a scholarship to Jamaica College (which I tell my children was like attending Hogwart’s, but without the magic), I landed in Murray House with Keith “Doghead” Brown and Eroll “Macky D” McDonald. Both of them decided that I needed a nickname because so many people mispronounced my last name, Philp, by calling me Phillip or Phillips.

They had tried many names, but none ever stuck for long. They’d even tried “Satchmo” because in the grand Jamaica College tradition, all first form boys if asked to sing a song by any boy in a form above them, would have to, upon pain of candle greasing or any other torture that the boys in the upper school could devise, sing a song. I made the process into a joke and sang “Hello, Dolly” by Louis “Satchmo” Armstrong. So, for a while, I was known as “Satchmo”. But for Macky D and Doghead this was not enough.

But then, we were given an assignment by our history teacher to write an essay and draw a map of an imaginary island in the Caribbean while using what we had learned about the Arawaks and Caribs. If I remember correctly, I was bored with the assignment, and by then, my fascination with Rastas was already beginning to grow. I drew my island in the shape of a Rastaman in profile (like the back cover of Bob Marley's, Burnin’) and my island had the Arawaks and Caribs fishing in the Herbific Ocean, planting cassava on the Ganja Plains under Splifftiferous Mountains. (I was not smoking the weed. My Seventh day Adventist/Jehovah’s Witness mother would have disowned me.) My history teacher was not amused. At least, not publicly. She gave me a “D."

Doghead and Macky D loved it and dubbed me, Herbert Spliffington, Esq. The name caught on like wildfire, and soon Jimmy Carnegie, Assistant Principal of JC, was calling me “Herbie”. When I began playing football, I began to be known as “Little Herbs,” so I would not be confused with our star forward, Herbie Nelson. Of course, this led to other complications when Rasta became popular in Jamaica and some began calling me, JahGeoff, in true Twelve Tribes of Israel style. The only person who resisted calling me all these names was Alvin “Seeco” Patterson, who insisted that my true-true name was “Brown Man” and never called me anything else when we used to play football down at Island House. Of course, this all became fodder for my novel, Benjamin, My Son and the protagonist's quest for identity.

My football friends, however, remained with the name, “Herbert Spliffington,” and sometimes young ladies called my house and asked to speak with “Herbert Phillips”. My mother hung up the phone on them. She didn’t know any Herbert Phillips, or Herbie. She had named her son, Geoffrey.



She should have heard what my domino playing friends were calling me.

March 7, 2006

Re-Livication

Yesterday's blog, "Another Child Murdered" was totally unplanned. I went to the Jamaica Observer site just to check out what was happening in Jamaica. Then, the shock.


I've been accused many times of "taking bad tings make joke," but I can't with this one. It's beyond all joke.


What I can do and I did once I got up this morning was to keep a positive vibe because no matter how bad things get, if I get depressed, it's still not going to change the condition. I am not a Pollyanna. "Better to light a candle than curse the darkness." 


So, I've re-livicated myself to community education efforts outside of Miami Dade College, where I work, and more than anything else to keep my sense of humor going. It's the most I can do for the young brothers and sisters who are being killed by the poisonous idea that Black children are expendable. It has permeated our culture and those on the fringes keep acting out that belief.


So, here's a blast from the past that I constructed some time ago: Which Wailer Are You?
http://quizilla.com/users/spliffington/quizzes/Which%20Wailer%20are%20You?

Yes, it is I, Herbert Spliffington, Esq. It's a long story and fit for a blog all by itself.

March 6, 2006

Another Child Murdered

I try to pace myself with these posts. Give myself time to think and then post, but now this is ridiculous:

Look at this boy in the Jamaica Observer. He could have been me when I was his age. I went to Mona Primary. I lived in Mona Heights. This is not the first youth to die, but now, cho man!

This boy could have been my son. He looks like my son. I am so vexed. It makes me sick. I never thought I would never write a post/something like this.

And not because is "brown" yout. There is no "brown". Black is a color of political allegiance, so my little Black brothers all over Jamaica are being killed. And for what?

Any society that cannot, will not protect its young is barbaric.

And I am not naive enough to believe that there will never be crime--there is something in our nature that if not curbed leads us to this criminality.

This is insanity!

My Life is About Finding Time to Dream

This isn’t a plug for American Express, but M. Night Shyamalan’s, Life is About Finding Time to Dream: http://us.video.aol.com/video.index.adp?mode=2&pmmsid=1472001 , captures the dilemma of every artist/writer—whether the market or critics deem them “uncommercial,” “good” or “bad”. It’s about finding time to create. (Everyone should make some time for re-creation and introspection, but that's another blog)

Walt Whitman
wrote, “I loafe and invite my soul,” in “Song of Myself”. It’s trying to find that balance in one’s work while not pandering to purely commercial interests—to tell the story of one’s time/space even when things have not changed as Derek Walcott lamented in Another Life, “How many would prefer to this poem/ to see you drunken in a gutter / to catch in the corner of their workrooms/ the uncertified odour of your death?” and “Who want a new art, / and their artists dying in the old way."

The position is precarious for artists of African descent who are aware of the backbreaking work of our mothers, fathers, brothers and sisters even while we carve out time to “dream”—which to most people doesn’t seem like work at all: “It’s so natural. Anyone can do that!”

So, on the one hand, we have the collective history of Africans being lazy, etc., and on the other hand, we have the noise in our heads (especially those of us from middle-class Caribbean backgrounds): “With all that schooling and book learning, and look what the boy take it and go do—say him is now writer! And what him say him writing? Poem! And not even good poem with a little music, so him could even make some money. Poem that get print in some place and him not even getting any money for it! Is a shame!”

And that word, “shame” has been used to keep so many of us in line. And sometimes it wasn’t done out of hate. It was done out of fear and sometimes, love. A plantation can not be sustained by mavericks or anyone who questioned the status quo: "You're here to work, not think, damn it!"

Mavericks in a dominated class were either killed or beaten into submission. Our parents, especially our mothers, loved us, and they didn’t want to see us get beaten or killed, and so they said, “Do, boy, do. Anything but a writer. Anything but a artist. You going kill you poor mother if you do this thing!”

Damned if you do. Damned if you don’t.

And to those who say, “That was a long time ago!”, they forget that until a behavior or belief is brought out into the open and challenged (which is what artists and thinkers do), then any poisonous idea that is in the culture will continue to have a corrosive effect on the body, soul, and mind of an oppressed people.*

And if you think we are still not oppressed by poisonous ideas, look at the state of African health across the globe and remember what brother Plato said, "Neither ought you to attempt to cure the body without the soul. . . . You begin by curing the soul [or mind]." Or as Bob Marley (paraphrasing the words of Marcus Garvey) said, “Emancipate yourselves from mental slavery. None but ourselves can free our minds!” And remember African art or anything derived from the African experience isn’t worth anything until some non-African says it’s worth something. And I’m not talking kente cloth—that’s now almost a mask for supposed African authenticity. Kente and dreadlocks could mean the same thing now—one is fashionable while spitting on artists.

And we are still doing this to ourselves.

Is a shame!

###
*This is a truism that's worth re-stating in these conservative times in America: the status quo favors those in charge. Those who want to be in charge and those who think they are in charge vote or consent to the status quo (this is not a call to anarchy), and keep everyone one else in check by either seductive/selfish ideas like Objectivism—which has been called social Darwinism because it’s a “dog eat dog world”.

Sure it’s a “dog eat dog world” which is great when you’re born as a pit bull in a world of Chihuahuas. You make the rules: “Only dogs this high will get meat and milk bones. Everyone else eats crumbs”.

And if you are a particularly tenacious Chihuahua, then expect to meet in subtle and sometimes not so subtle ways, the full force of pit bull rule.

But why should a Chihuahua try to be a pit bull? “This is a one dog world, brother. Either you’re a pit bull or you’re dead. So, what’s it gonna be, punk?”

Which is why, perhaps, so many (sometimes poor/white) Americans who claim to be Republicans vote against their class interests and vow to abolish the social contract which includes institutions such as the Department of Education: “Some day, some day, we’ll have it all and we won’t pay all those taxes so that those free loafers (in some cases, read minorities) and artists (who will never do a hard day’s work) to live off our hard earned money”.



March 3, 2006

Pam Mordecai @ The Diaspora Vibe Gallery

Pam Mordecai Pam Mordecai, a pioneer in the movement to expose the writing of Caribbean women, will be reading at Diaspora Vibe Gallery, 3938 North Miami Ave, Miami, on March 23, 2006 at 6:30 p.m. Dr. Mordecai will read poems and short stories, including work from her most recent collection, The True Blue of Islands. The event, another in the JAMPACT Culture Series, is a fundraiser in aid of JAMPACT’s five adopted basic schools in Jamaica: Coles, Crescent Road, Maxfield Park, Mt. Olive, and St. Stephens. JAMPACT’s mission is to use our collective energies, intelligence, and resources to make positive contributions towards the improvement of social and economic conditions in Jamaica.

A prolific anthologist, Dr. Mordecai has edited five ground breaking anthologies including Jamaica Woman (with Mervyn Morris), Her True-True Name (with Betty Wilson), and From Our Yard: Jamaican Poetry since Independence and, most recently, Calling Cards: New Poetry from Caribbean/Canadian Women. She has also published sixteen textbooks, four collections of poetry, and five books (poetry and stories) for children. In 2000, Greenwood Press (CT., USA) published Culture and Customs of Jamaica, a reference work co-authored with her husband, Martin. In 2001, Goose Lane Editions published, Certifiable: Poems, which received enthusiastic reviews in Canada, the Caribbean, the UK, and the US.

Pam and her family immigrated to Canada in 1993, and are the principals at Sandberry Press in Toronto, Canada.


Event Contact: Cathy Kleinhans:
cathyk@jamroppo.com
JAMPACT Culture Series
Tel.: 954-709-4780/347-563-5899

Diaspora Vibe Gallery,
3938 North Miami Ave,
Madonna Building, Miami, FL 33127
(305-573-4046)
(305-443-6332)
http://www.diasporavibe.net/








March 1, 2006

Reading @ The Wallflower Gallery




















Friday, March 3 - Voice & Soul Showcase with

  1. Preston Allen, Mark A.S., Geoffrey Philp

  2. Featured Spoken Word @ 8:00 p.m.
  3. $5



Want to know how to get there?

The Wallflower Gallery is located @ 10 N.E. 3rd St. in Downtown Miami, FL 33132

Three blocks west from Biscayne Blvd. on N.E. 3rd St.
On the corner of N. Miami Ave.
Greenish-yellow building with mural - purple flower on door

(P) 305-579-0069
(F) 305-579-0050


On Ash Wednesday: "not another aids poem"


“not another aids poem” was originally published in hurricane center (1998). The title of the poem was suggested to me when a friend of mine had applied for a grant and one of the evaluators scrawled across the sheet, “Not another AIDS poem!”


Update (12/1/2009): The link to the podcast has been broken, so I've changed the format to video. Here's the link: http://www.youtube.com/watch?v=17T4HiQbLvI



***


February 25, 2006

Happy Birthday, Tony Winkler

Tony WinklerDear Mr. Winkler:

Greetings and Happy Birthday!

Since my earliest introduction to your work in the memoir, Going Home to Teach, I have been following your writing career by reading back to your first novel, The Painted Canoe, and forward to The Duppy. (I’ve also used your textbook co-authored with Jo Ray McCuen, From Idea to Essay, for as long as I taught freshman composition). In fact, I was elated when The Caribbean Writer asked me to review your latest collection of short stories, The Annihilation of Fish and Other Stories. (As if they had to twist my arm. It was already on my list of books to read). So, given your vast experience in writing in so many genres, plays, novels, memoirs, short stories, and textbooks, I fear you may be tempted to undertake a manual for creative writing. Don’t. Not that I have any doubts that if wouldn’t be excellent, it would merely be redundant. The Annihilation of Fish and Other Stories, as well as your other novels, if read correctly by any would-be writer is more than she will ever need in handling character, plot, setting, tone and theme. And for the readers, sheer delight. For it’s as if you have followed Robert Frost’s idea about poems and applied it to your writing: “A poem should begin with delight and end with wisdom”. And there is a lot of pleasure and perceptivity in this small book that speaks volumes about the Jamaican character about which you write so lovingly while at the same time skewering our deepest foibles and flaws.

From “The Preliminary Report” to the title story, we meet a cast of characters who could only have sprung from the Jamaican soil: Inspector Jordan Hall’s class prejudice and contempt for his own people whom he labels as “Butu”: “I’m aware that Headquarters frowns on the use of “Butu” to indicate a certain lower class of Jamaicans, but this being only a preliminary report, I’ve taken some liberties with vocabulary” (1); Rachel Higgins and her husband’s fear of “unconventionality”; and Fish’s (and indeed many of the other characters) unquestioning acceptance of the side-by-side existence of this world with other dimensions. As I read the stories, I also realized there must be some deep vein of sadism buried in me because I enjoyed the torment you inflicted on these characters (albeit with certain self-consciousness) because I realized that I shared many of their beliefs. Through the deftness of your description, witty dialogue, and truncated exposition, you created characters whose beliefs about the world created their dilemmas and as they acted on these beliefs, the essential absurdity of the climax came so easily that a young writer (because she is laughing so hard—but it’s also nervous laughter) might miss the craft on display.

And then there’s the wisdom in stories such as, “The Story of the Fifth Boy” that uncovers the Jamaican fear of “softness”: “Jamaican boys fear gentleness. When gentleness appears among them, they crush it as they would a cockroach” (15); “The Cultivator Who Lost His Heart” and “The Riddle” unearth the existential crisis that every human faces (similar to Hemingway’s nada) in a Jamaican setting, “dat is better to pretend dat nothing is something dan to believe dat everything is nothing” (105); our fear of success in “The Dog” and what Matthew Arnold would have called “philistinism” in “The Chance”: “Like many Jamaicans, his whole aim in life was to work hard for material betterment” (51). There are, however, two other stories that I enjoyed which have to do with some of my own concerns: “New Banana” and ‘The Interpreter”. In both these stories, the main characters’, Hopeton Munroe Uppinton and Gabriel Yap Sang, attempts at establishing singular identities—naming themselves on their own terms-- are stymied by their antagonists. In Hopeton’s case, crass American tourists and in Gabriel’s, his community. In both these stories, the theme which was captured in the story “Unconventionality” highlights one of the deepest fears of Jamaicans-- being called in the terms of my adolescence, “extra”. This fear of being viewed as uncommon/unusual/different (no doubt born from our collective experience of slavery/ colonialism which during those times would have certainly lead to an early death--but we need to get over it) supplies much of the guilt ridden anxiety of the characters and our people. In order to escape the dilemma, many of us, like Gabriel Yap Sang have rejoined the community, sacrificed our individuality and opted for mediocrity. Hopeton chooses murder.

Of course, I could continue with the themes in the other stories that I loved: the theological dissonance in “The Preliminary Report” that you extended in the novel, The Duppy and the longing to return to Jamaica in “The Absentee Ownership of Cows” which you developed in the play, The Burglary. Perhaps, the only difficulty that I had with the collection was that most of the protagonists were elderly, like the couple in “The Trip to Paris,” and seemed to have wasted their lives (although the were much better off materially than if they had stayed on the island) by living abroad and losing their connection with the land. Damned if you do, damned if you don’t.

Even the cover of the book with Fish, his frail hands cupped into an arthritic fist while he sports the uniform of elderly Jamaican men, Banlon shirt and polyester pants, captures the warrior spirit for which we are known. It also depicts the ferocity and the farce of many of our lives. The portrait of this aging, pugilistic Jamaican is apt for this collection, and if I were to rate this collection the way a boxer’s career is judged, then you could retire undefeated, for every story is a knockout.

Yours truly,

Geoffrey Philp
Miami, Florida


PS. This letter was first published in The Caribbean Writer. For a review of my favorite Winkler book, The Duppy, follow this link for my review(s) on Amazon: The Duppy




February 24, 2006

Seven Things

Here's a meme that's been making it around the blogosphere. Let's see what happens!

7 Things I plan/hope to do/ see before I transition:

  1. See my family/children centered & happy

  2. Visit Tibet

  3. Visit the Grand Canyon

  4. See Jamaica tranquil enough to be able to retire there

  5. Visit Japan

  6. Learn to play the guitar

  7. See grandchildren

7 Favorite Books

  1. Another Life by Derek Walcott

  2. Love in Time of Cholera by Gabriel Garcia Marquez

  3. Shar by Kamau Brathwaite

  4. The Human Stain by Phillip Roth

  5. Reel from the Life Movie by Tony McNeill

  6. The Duppy by Tony Winkler—See Post on 2/25/06

  7. Miguel Street by VS Naipaul

7 Favorite movies

  1. Pulp Fiction

  2. Fight Club

  3. Young Frankenstein

  4. Godfather

  5. A Christmas Story

  6. Lion in Winter

  7. Matrix

7 Favorite CDs

  1. Natty Dread by Bob Marley

  2. Rapture by Anita Baker

  3. Sketches of Spain by Miles Davis

  4. Blackheart Man by Bunny Wailer

  5. Best of the Spinners

  6. Best of Marvin Gaye

  7. Best of Al Green

7 websites/blogs I visit regularly:

  1. http://nalohopkinson.blogspot.com/

  2. http://maudnewton.com/blog/

  3. http://www.johndufresne.com/

  4. Mad Bull

  5. Stephen Bess

  6. http://www.globalvoicesonline.org/-/world/americas/jamaica/

  7. Nicolette Bethel’s Blog

7 Places that I have vacationed and liked:

  1. Neusa, Colombia

  2. Negril, Jamaica

  3. Paris, France

  4. St. Thomas, Virgin Islands

  5. New York, New York

  6. Progreso, Mexico

  7. London, England

7 People who inspired me:

  1. Dennis Scott

  2. Derek Walcott

  3. Kamau Brathwaite

  4. Bob Marley

  5. VS Naipaul (arrrrrgh)

  6. Mervyn Morris

  7. Jimmy Carnegie







One Vote for Barack Obama

Barack Obama Quinn Allen, the precocious child of the writer Preston Allen, was recently confronted by some of his classmates who accused him of being a geek.

Quinn responded to them by saying, “Don’t worry about me. In ten years, I’ll be writing your checks,” and “Your role model is Snoop Dogg. Mine is Barack Obama

Word.




February 22, 2006

Crop Circles in Jamaica?

Westmoreland, Jamaica, February 22, 2006—Following newly discovered leads since their groundbreaking expose at NASA, multiple-award winning journalists, Jim Screechy and Van Doolu, were spirited away to Westmoreland, Jamaica to examine firsthand the emergence of crop circles in the “land of wood and water”.

“Yes, I,” said known horticulturalist, Ras Simeon Matthews. “I did think it was the government and the CIA who been listening to I and I conversation. But when I and I check it out, I and I realize that it could not have been done by earthly hands. It had to be the work of the Most High!"


“Still, is criminal what them do,” said his queen, M’keda Samuels. “Is criminal! The poor herb never bother them, and whoever them is, them just come and mash it down," she said cradling a wilted sapling between her hands. "Poor little thing."

“Shhhhhhh,’ said Ras Simeon. “ Don’t say that too loud around here, the government might be listening.”

“Make them listen,” said M’keda. “I know them been listening and spying on we like we is terrorist, and I will say it proudly that I am a terrorist. I am a terrorist to Babylon--to all powers and principalities of the heavens and earth! Woe to Babylon! Woe to the Pope of Rome!”

M’keda then broke into a litany of woes that could not be repeated lest the reporters be accused of aiding and abetting the enemy which could hamper their attempts to have their green cards renewed.

On further examination, the field revealed a pattern( shown here using infra-red photography) that ruled out any kind of human involvement and could have only been done by higher powers.

Unfortunately, the head office has been unable to verify the location of Van Screechy and Van Doolu, whose whereabouts, as far as we can tell by contacts in the CIA, NSA, FBI, and the local lockup in Negril, are unknown since their encounter in the fields of Ras Simeon.

Alien abduction? Stay tuned…