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August 31, 2009
Opal Palmer Adisa @ Informtainment.com
Adisa’s initial interest in writing can probably be traced back to the stories she was told by her Aunt Zilla, who Adisa would visit during the summer. Since she was frequently around storytelling, Adisa reflects on “always writing, or at least making up stories and poems in [her] head" (Agard 43). When she left for Hunter College, she was not aspiring to major in English or Creative Writing, but Mathematics. Adisa made the shift to writing after attending a poetry reading by Sonia Sanchez, and reading the novel Cane by Jean Toomer (Leach). Other influences on her writing include Kamau Brathwaite and Mervyn Morris, both of whom she met and came to know personally when she returned to Jamaica in the mid-seventies. In her interview with Kwame Dawes, she says she had "been influenced a lot more so by fiction or prose than by poetry" (188).
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August 24, 2009
Permission to Speak: Anton Nimblett
I'll start with one word, "permission". As a good West Indian boy, I learned early -- and perhaps too well -- to ask for permission. Before interrupting a "big-people" conversation, before having a piece of coconut fudge. Permission to ask for permission, sometimes!
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Photo Credit: Signifyin' GuyanaAnton Nimblett’s stories are about characters driven by desire - for dignity and justice for a dead son, for privacy from a neighbour who collects lives, for sexual fulfilment as a gay man, for an old man’s last assertion of love for a dying wife, for a man on the edge trying to block out the destructive voices of past pains. What is so impressive about the stories, beyond Anton Nimblett’s sharp ear for a wide range of distinctive voices, and the ability to create vividly sensual pictures of place, and particularly of erotic encounters, is their facility in inhabiting contrary tendencies without strain.
There is also an expert cinematographer’s sense of when to cut and when to join, and several stories build to powerful dramatic tension through arresting montage. Within the collection there is both fluidity and sharp definition. Characters migrate between stories (just as they migrate between Trinidad and New York), being sometimes at the fringes, sometimes at the centre - Trinidadian lives seen both in motion and at rest. Writing with equal empathy about the lives of gay men, heterosexuals, young and old, country folk and urbanites, Anton Nimblett is a singularly attractive new voice in Caribbean writing.
Anton Nimblett is a Trinidadian living and writing in Brooklyn.
There is also an expert cinematographer’s sense of when to cut and when to join, and several stories build to powerful dramatic tension through arresting montage. Within the collection there is both fluidity and sharp definition. Characters migrate between stories (just as they migrate between Trinidad and New York), being sometimes at the fringes, sometimes at the centre - Trinidadian lives seen both in motion and at rest. Writing with equal empathy about the lives of gay men, heterosexuals, young and old, country folk and urbanites, Anton Nimblett is a singularly attractive new voice in Caribbean writing.
Anton Nimblett is a Trinidadian living and writing in Brooklyn.
August 17, 2009
Praise for Who's Your Daddy? @ Farsighted Fly Girl
If you can't travel to the Caribbean and experience the complexities, the next best thing is to read Caribbean literature that captures the richness of a specific island. Geoffrey Philp's Who's Your Daddy and Other Stories not only conjures up the sounds and images of rural Jamaica, it also reflects the Jamaican community in Miami, which is an element that I've never seen portrayed quite so vividly.
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August 13, 2009
Mothering and Migration: (Trans)nationalisms, Globalization, and Displacement.
CALL FOR PAPERS
Association for Research on Mothering (ARM) and the University of Puerto Rico are hosting a conference on Mothering and Migration: (Trans)nationalisms, Globalization, and Displacement.
We welcome submissions from scholars, students, activists, government agencies and workers, artists, mothers, and others who work or research in this area. Cross-cultural, historical and comparative work is encouraged. We encourage a variety of types of submissions including academic papers from all disciplines, workshops, creative submissions, performances, storytelling, visual arts and other alternative formats.
Topics can include (but are not limited to):
If you are interested in being considered as a presenter, please send a 250 word abstract and a 50 word bio by September 1, 2009 to: arm@yorku.ca.
Association for Research on Mothering
726 Atkinson, York University
4700 Keele Street, Toronto, ON M3J 1P3
Phone: (416) 736-2100 x60366 FAX: (416) 736-5766
Email: arm@yorku.ca
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