March 29, 2011

The OCM Bocas Prize for Caribbean Literature: Shortlist

From left: Edwidge Danticat, Derek Walcott, and Tiphanie Yanique

A Nobel laureate, a MacArthur “genius” fellow, and a first-time author are finalists for the 2011 OCM Bocas Prize for Caribbean Literature, sponsored by One Caribbean Media.

On 28 March, 2011, the Prize judges announced the winners of the three genre categories, who are now finalists for the overall Prize, which comes with an award of US$10,000.

Haitian-American writer Edwidge Danticat, who was previously given a MacArthur Foundation “Genius Award” in 2009, is the non-fiction category winner for the 2011 OCM Bocas Prize, for her essay collection Create Dangerously: The Immigrant Artist at Work. The judges describe the book as “thoughtful, interesting, and varied in its insights, often moving, and beautifully written, in a passionate yet restrained style.”

St. Lucian Nobel laureate Derek Walcott is the poetry category winner, for his book White Egrets, which has already won the prestigious T.S. Eliot Prize. The OCM Bocas Prize judges call it “a superb collection . . . that speaks for all of us who live and love and can’t ever take our eyes off the wonder of the world around us.”

The fiction category winner is How to Escape a Leper Colony, the debut short fiction collection by Tiphanie Yanique of the US Virgin Islands. “Extremely touching but never sentimental,” say the judges, “this is a wonderfully engaging gathering of stories by a genuinely gifted writer.”

The overall winner of the 2011 OCM Bocas Prize will be announced on 30 April, during the first annual Bocas Lit Fest in Port of Spain (28 April to 1 May). The festival schedule includes readings from all three shortlisted books, and Tiphanie Yanique will participate in the programme.

For more, please follow this link; http://www.bocaslitfest.com/ocm-bocas-prize.html




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March 28, 2011

In My Own Words...Lelawattee Manoo-Rahming


WRITING CONNECTIONS: CARIBBEAN-STYLE

In 1994, Dr. Sandra Pouchet Paquet, Director of the Caribbean Writers’ Summer Institute (CWSI), offered, and I accepted an Institute scholarship to attend the CWSI Fiction Workshop, directed by noted Caribbean poet and writer, Olive Senior, at the University of Miami. Then in 1995, Dr. Pouchet Paquet offered, and I accepted an Institute scholarship to attend the CWSI Poetry Workshop, directed by another noted Caribbean poet and writer, Lorna Goodison. Both of these workshops were the very first writing workshops I had ever attended and the experience was overwhelming.

 I learned much from Olive Senior and Lorna Goodison, as well as the other workshop participants. Seminars for scholars of Caribbean literature were held simultaneously with the writing workshops. The scholars and writers were all able to participate in discussions and readings that enhanced the workshop experience and exposed the writers to literary criticism. The writers and scholars also benefited from the discussions, seminars and readings presented by the specially invited guest Caribbean writers such as George Lamming, David Dabydeen and Maryse Conde, to name just a few. Each workshop lasted five weeks, but at the end, we had made new friends, and many of us are still friends today.

The CWSI Fiction and Poetry workshops proved to be the foundation for my writing career. I was able to polish my first poetry manuscript, which included poems written in the CWSI Poetry Workshop, based on feedback from Lorna Goodison. That manuscript was to become my first poetry collection and first book, Curry Flavour, which was published by Peepal Tree Press in 2000. I was introduced to Jeremy Poynting and Hannah Bannister of Peepal Tree Press by Deborah Nester, a PhD student at the University of Miami, who attended the CWSI as a Literature scholar and who was also on the staff of the Institute.  Curry Flavour was reviewed by the Caribbean writer and blogger, Geoffrey Philp, who was himself a participant in the CWSI workshops.   

As for my fiction, after participating in the CWSI Fiction Workshop with Olive Senior, I was able to get my short stories published in journals and magazine, in particular The Caribbean Writer, published by the University of the Virgin Islands, St Croix, USVI. Subsequently, in the summer of 2000, I was awarded a scholarship to attend the inaugural Cropper Foundation Fiction Workshop, which was led by Merle Hodge and Funso Aiyejina (himself a participant in the CWSI workshops). The next year, 2001, I entered the Commonwealth Broadcasting Association Short Story Competition with the story ‘Saving Rupa’, which won the Overall or Grand Prize. I continued submitting my short stories for publication, one of which won the Canute Brodhurst Prize from The Caribbean Writer in 2009.

Some other publications in which my poetry and stories have appeared since attending the workshops include:  Poui: The Cave Hill Literary Annual - University of the West Indies, Cave Hill, Barbados; Woman Speak - Bahamian literary journal featuring women’s voices; Anthurium - A Caribbean Studies electronic journal, Editor Dr. Sandra Pouchet Paquet, published by the University of Miami; Voice, Memory, Ashes: Lest We Forget - An anthology published by Mango Publishing, UK; In Our Own Words – A Generation Defining Itself – literary journal edited by Marlow Peerse Weaver, published by MW Enterprises, NC, USA; Hampden-Sydney Poetry Review Special Caribbean Issue (2004) - University of Virginia; Yinna - Journal of the Bahamas Association of Cultural Studies (BACUS); Journal of Caribbean Literatures - University of Central Arkansas literary journal; Thamyris – literary journal published by Najade Press, Amsterdam, and Caribbean Erotic, edited by Opal Palmer Adisa and Donna Weir-Soley (two participants of the CWSI) and published by Peepal Tree Press in 2010.

As a result of my writing, I was a featured writer at the Miami Book Fair International (1996 and 2000) which was organized by Mervyn Solomon, who was on the staff of the CWSI. I was also a featured writer at the Mary Lou Williams Center for Black Culture, Duke University, 2002, organised by my friend and noted Caribbean poet and scholar, Dr. Christian Campbell. Along with Olive Senior, I was one of the featured writers at the University of The Virgin Islands, St Croix Campus Humanities Week, 2004 which was organized by a graduate of the University of Miami, and former student of Dr. Sandra Pouchet Paquet, Dr. Kim Dismont Robinson. In 2007, spearheaded by Dr. Sandra Pouchet Paquet, the University of Miami hosted a Caribbean Literary Studies Conference under the theme “The Asian Experience in The Caribbean and The Guyanas: Labour and Migration, Literature and Culture”, for which I was one of the guest poets. I was also the keynote speaker at the Caribbean without Borders Conference 2008, at the University of Puerto Rico, organized by Caribbean scholar, Dr. Dorsia Smith.

In 2009, I submitted my second poetry manuscript, ‘Immortelle and Bhandaaraa Poems’ to the Inaugural International Proverse Prize for unpublished writing. Based on incisive critiques by Lorna Goodison, I edited the manuscript, and Dr. Sandra Pouchet Paquet wrote the preface to ‘Immortelle and Bhandaaraa Poems’. The manuscript was shortlisted for the prize and was subsequently published by Proverse Hong Kong in 2011.

Lamenting the lack of writing workshops available to Caribbean writers, two Bahamian writers, Helen Klonaris and Marion Bethel, both of whom participated in the CWSI workshops, created the Bahamian Writers’ Summer Institute in 2009 offering fiction, poetry, memoir, playwriting and screenwriting workshops. I had the great opportunity to teach the BWSI Fiction Workshop in 2010, where Olive Senior was the guest writer. I am slated to teach the Bahamas Writers’ Summer Institute Fiction Workshop again in 2011. The CWSI spawned many new Caribbean writers and now they are continuing its legacy in many diverse and interconnected ways.


About Lelawattee Manoo-Rahming:

Born in Trinidad and Tobago, Lelawattee Manoo-Rahming resides in Nassau, The Bahamas where she is a practicing Mechanical/Building Services Engineer. Her academic qualifications include a B.Sc. Degree in Mechanical Engineering (Hons.) from the University of the West Indies, St. Augustine, Trinidad; and a M.Sc. Degree in Building Services Engineering from Heriot-Watt University, Edinburgh, Scotland. She is a Chartered Engineer registered with the Engineering Council in the UK and a Professional Engineer registered with The Professional Engineers Board of The Bahamas.

Lelawattee is also a poet, fiction writer and essayist, whose poetry, stories and artwork have appeared in numerous publications in The Bahamas, the Caribbean, Nicaragua, USA and Europe. She has won poetry, essay and art awards in The Bahamas. Internationally, she has won the David Hough Literary Prize from The Caribbean Writer (2001); the Canute A. Brodhurst Prize for Short Fiction from The Caribbean Writer (2009); and the Commonwealth Broadcasting Association (CBA) 2001 Short Story Competition. She was short-listed for the inaugural Proverse Literary Prize (2009). Her first book of poetry, Curry Flavour, was published in 2000 by Peepal Tree Press, Leeds, England. Proverse Hong Kong published her second book of poetry, Immortelle and Bhandaaraa Poems, which includes some of her artwork, in 2011.




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March 25, 2011

The Countdown is On!


 5 days/50 films

 Mar. 30-Apr. 3, 2011


Film, Fashion, Fabulous! Shaping the Images of Women Globally

Welcome to the official site of the 6th Annual Women’s International Film & Arts Festival-South Florida from March 30 – April 3, 2011.

Join us as we discover Women’s Dreams, Visions & Voices with five days of films, art, fashion shows, workshops, parties and much more.

Our 2011 festival is sure to be spectacular! Watch wonderful films from around the world. Meet and greet the directors, actors, distributors, designers, stylists and other industry leaders. And don’t miss our 2011 special programs including our 3rd annual Film Pool Pajama Party as well as our celebration of an often neglected part of the industry – Fashion.

Since wardrobe design was historically the vehicle for women to enter the film industry, WIFF will be playing homage to the many women who have shaped the images of how women look in the movies, on the red carpet and everyday in our homes, businesses and nightlife.

And don’t forget The 2011 WIFF Family Fun Fest. It’s a special treat for parents who’d like to spend a fun-filled day out with the kids – films, bounce houses and lots of entertainment will be on hand for the entire family. Don’t miss it.

Then, as the afternoon grows into evening, we’ll present a special WIFF Celebration of Women musical concert planned for us all to sing, dance and celebrate life. So mark your calendars and keep visiting this website as more information becomes available!


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Poetry Friday: "For us, the spirit is always calling"


For us, the spirit is always calling:
“Lift up your eyes to higher ground
bathe in the light that is found
at the first break of morning
before the clash of sound.”

For us, the spirit is always calling:
“Forget yesterday’s sorrow clawing
at your back, the bliss it has drowned,
burying your joy under a dusty mound.
For us, the spirit is always calling.

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March 24, 2011

Author Event: Elizabeth Nunez

Elizabeth Nunez at the 2008 Brooklyn Book Fest...Image via Wikipedia


Elizabeth Nunez, author of Bruised Hibiscus, will be at Nova University this Sunday (3/27/2011) for Lit Live: http://www.bplfoundation.org/literaryfeast.htm. She will be reading from her latest novel, Anna In-Between.


About Elizabeth Nunez

Elizabeth Nunez is a United States novelist, and distinguished professor of English at Medgar Evers College–CUNY, in Brooklyn, New York. Nunez is also cofounder of the National Black Writers Conference. She emigrated to the United States from Trinidad, and received her Ph.D. from New York University.

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March 23, 2011

The 2011 Bocas Lit Fest Program


The 2011 Bocas Lit Fest program features over fifty events spread over four days, from April 28 to May 1, 2011. The Bocas Lit Fest: the Trinidad and Tobago Literary Festival is an annual celebration of books, writing, and writers.  The main venue for the events will be the National Library of Trinidad and Tobago (shown above).
The Bocas Lit fest site explains: “Boca is the Spanish word for mouth—the organ of speech and song and storytelling. And the Bocas del Dragón—the Dragon’s Mouths— are the narrow straits off Trinidad’s northwest peninsula, which connect the sheltered Gulf of Paria to the open Caribbean Sea. For centuries, the Bocas were the gateways connecting Trinidad to the Caribbean and the Atlantic. The Bocas Lit Fest invites readers from around the world to enter through the Dragon’s Mouths and celebrate with us the rich literary heritage of Trinidad and Tobago and the wider Caribbean.”

Via Repeating Islands

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Proud Camden: Bob Marley & the Golden Age of Reggae


© Kim Gottlieb-Walker, Lenswoman.com

PROUD CAMDEN PRESENTS

Bob Marley & the Golden Age of Reggae

Running: 7th April – 15th May 2011

Launch:  6th April 2011
11am to 5.30pm Mon – Sun
The Horse Hospital
Stables Market
Chalk Farm Road
London
NW1 8AH
Website:  www.proud.co.uk

Admission is free

Proud Camden presents Bob Marley & the Golden Age of Reggae, an exhibition of photographs by celebrated photographer Kim Gottlieb-Walker. This exhibition is a stunning visual record of the “golden age of reggae” to mark the 30th anniversary of Bob Marley’s death this May. 
© Kim Gottlieb-Walker 

During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb-Walker and her husband, Head of Publicity at Island Records Jeff Walker, documented what is now widely recognised as the Golden Age of reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define an era and captivate a generation. 

Proud Galleries has worked with Kim Gottlieb-Walker to create an exhibition of candid and intimate photographs of the artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer, Toots Hibbert, Burning Spear, Lee “Scratch” Perry and, of course, Bob Marley. This exhibition includes never-before-seen photographs and is a stunning photographic record of one of the most exciting moments in recent musical history, with a warmth and intimacy born out of the respect between Kim Gottlieb-Walker and the artist. 


Proud Galleries

Proud Galleries was launched in Autumn 1998. Its ethos? To bring the very best in high quality photography to the mainstream market. Proud instantly took the photography world by storm and quickly grew into Europe’s most popular private photography gallery.
Today the Proud brand runs on of the most visited destinations in London. Two galleries, a live music venue, and a Cabaret club have cemented its success and in a harsh economic climate, Proud continues to expand.

Never failing to exhibit the work of the world’s best photographers, Proud has hosted shows by everyone from Terry O’Neill to Jerry Schatzberg, Gered Mankowitz to Ken Russell. With star-studded launch parties and some of the best press coverage in the country, the unique Proud formula has situated the company at the very top of its game.

Kim Gottlieb-Walker

Kim Gottlieb-Walker's incredibly varied career has covered everything from classic rock and roll, reggae, and politics in the 60‟s and 70‟s to working on major motion pictures and television shows. 

While still at UCLA (where she received a BA in Motion Picture production) and shortly thereafter, she shot for the underground Los Angeles press including magazines like Crawdaddy and Music World and shot her classic portraits of Jimi Hendrix when she was only 20. Her High Times cover of Bob Marley remains their most popular cover, ever. In the mid-seventies, she freelanced extensively for Island Records documenting the reggae performers all over Jamaica. She also shot the stills for John Carpenter’s “Halloween,” “The Fog,” “Christine” and Escape from New York” and worked at Paramount for nine years as the production photographer for “Cheers” and five years for “Family Ties.” She has served for over two decades as an elected representatives for still photographers on the National Executive Board of IATSE Local 600, the International Cinematographers Guild. Titan Press has recently published her first photo book Bob Marley and the Golden Age of Reggae.

FOR FURTHER EXHIBITION INFORMATION, SERIAL RIGHTS / USE OF PICTURES / INTERVIEW OPPORTUNITIES CONTACT:

Lucy Simon at Proud Galleries:  +44(0) 20 7839 4942 | lucy@proudgalleries.co.uk | www.proud.co.uk  

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March 21, 2011

New Book: Immortelle and Bhandaaraa Poems by Lelawattee Manoo-Rahming


Immortelle and Bhandaaraa Poems 
By Lelawattee Manoo-Rahming 

Published by Proverse Hong Kong 
Distributed by The Chinese University Press 
2011    210 × 148 mm    176 pages 
ISBN 978-988-19321-3-6    Paperback    US$20 


Immortelle and Bhandaaraa Poems is Lelawattee Manoo-Rahming's second collection of poetry. It was shortlisted for the inaugural international Proverse Prize.

Inspired by the Hindu philosophy of reincarnation, many of the poems in this new collection are written in memory of loved ones. But, in the same way that the orange and red flowers of the Immortelle tree flame the forests and plains of Trinidad, these poems are brightened with imagery of hope and rebirth.

Manoo-Rahming's Immortelle and Bhandaaraa Poems is filled with scenes from the poet's physical landscape which spans the Caribbean: from The Bahamas, her present home, to Trinidad, the land of her birth. The language of these sensual poems is a syncretism of her East Indian-derived Bhojpuri Hindi and her Trinbagonian creole, peppered with nuances of the Bahamian vernacular. This syncretism is reflected in the themes of the poems. Although many of the poems deal with Indo-Caribbean anthropology, the collection embraces other cultures and religions which are present in the Caribbean, and speaks to the fluidity in philosophy that can exist and flourish in such plural societies.

Please follow this link to order Immortelle and Bhandaaraa Poems : The Chinese University Press.

About Lelawattee Manoo-Rahming:

Lelawattee Manoo-Rahming was born in Trinidad. She is married to Bahamian, Hammond Rahming, and makes her home in Nassau, The Bahamas. She is a practicing Mechanical/Building Services Engineer, a poet, fiction and creative non-fiction writer and essayist. She also expresses her creativity and seeks enlightenment through sculpture, drawing and painting.

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March 20, 2011

Dub Wise & Author Page Page Update



Reflecting the author’s signature qualities, this collection of poems displays an unabashed sense of humanity, considered political sensibility, capacity to treat domestic matters with deft lyrical power, and the constant and shaping presence of the mythos of reggae and third world spirituality. Illustrating the assurance of a poet fully in his stride, this anthology also demonstrates a sharply honed technical mastery, communicating a deepening consciousness of what it means to be in midlife. Utilizing the concepts of family, migration, home, and loss, this compilation establishes the metaphor of “Dub,” the great Jamaican musical invention that champions urbanity, the embrace of influence and history, improvisation, and above all, a commitment to the delight of the people. Expounding upon spiritual revelation and political engagement through the prism of Dub, this compendium sets a high standard within the genre of poetry.
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Geoffrey Philp: Author page @ Amazon





March 18, 2011

"Bob Marley & The Wailers" by Kamau Brathwaite



KAMAU BRATHWAITE, cofounder of the Caribbean Artists Movement, is currently a professor of comparative literature at New York University, and shares his time between his home in CowPastor, Barbados, and New York City.


Please follow this link for the poem: Bob Marley & The Wailers


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March 17, 2011

Opportunity for ACTion



Opportunity for ACTion

On Monday, ICE Immigration and Customs Enforcement (ICE) announced it would "like your input on its proposed Policy for Resumed Removals to Haiti. This is not a final policy and is disseminated solely to collect feedback.” ICE has given people until this Friday, March 18 to email them all comments.

We object to the decision to deport Haitians. ICE's policy has already led to one death and the deportation of 27 Haitians into a humanitarian crisis. We also object to this incredibly short and non-transparent comment process that is occurring after the policy has already been implemented and after much harm has already been done.

Please take the following steps by this Friday:

1) Review the policy here http://www.ice.gov/news/library/policies/ 

2) Sign on to a response letter (view letter here) by emailing your name or organization's name to Rose Dominguez, RDominguez@law.miami.edu by 3:30 p.m., Friday, March 18.

3) Email ICE your personal comments or a separate letter from your organization at haitipolicycomments@dhs.gov. Click here for Talking Points.

Attached please find a new Factsheet by University of Miami Immigration and Human Rights Clinics, the Center for Constitutional Rights, Florida Immigration Advocacy Center and Alternative Chance that details what the 27 Haitian detainees experienced once they arrived in Haiti.  No one else should be subjected to this horrific experience. Thanks for taking action now.

Opportunity for ACTion

Dear Friends:

We know how much you care about the fight to Save Service in America - and how much you have done already to help us in this effort.   

By Friday, we need you to take two minutes and help us MAKE THE CALL to our Senators and ask them to help us save service. We must raise our voices, jam the phone lines, and make sure they know how much this issue matters to us:

Here's what we need you to do right now:

1.     MAKE THE CALL: 1-855-US-SERVE. This line will connect you directly to your US Senator by simply entering your zip code, so it's the easiest way to reach out. You can also visit our website to get suggested talking points.

2.     TELL YOUR FRIENDS. Update your Facebook status, tweet about the experience, upload a video on our YouTube page, whatever you feel moved to do... but please tell your friends you made the call, and ask them to do the same!

Martin Luther King, Jr. said "everyone can be great, because everyone can serve." We want to serve, we want this country to be great - and we want Congress to know how much we care about AmeriCorps and the Corporation for National and Community Service.

You are a powerful voice for service--please MAKE THE CALL today!


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“The Change”: A Failure in Ethics and Intelligence.




The music of “The Change” by Tony Hoagland is exquisite.  From the first line with its varied series of long and short vowels, “The season turned like the page of a glossy fashion magazine,” Hoagland strings together visual and verbal contrasts based on a tennis match between two tennis players, one black and the other white, which turn on the phrase, “Sometimes I think that nothing really changes—.”

The speaker in the poem, who is apparently white, observes a game with “some tough little European blonde/ pitted against that big black girl from Alabama, /cornrowed hair and Zulu bangles on her arms.” And although he appreciates the élan of the black tennis player with “her complicated hair/and her to-hell-with-everybody stare,” he confesses, “I couldn't help wanting/the white girl to come out on top, / because she was one of my kind, my tribe.”

The rest of the poem is devoted to the race and class differences between the players and the spectators, “bleachers full of people/ in their Sunday tennis-watching clothes,” and ends in an elegiac tone which laments the passing of an era: “It was the twentieth century almost gone, /we were there.”
Needless to say, “The Change’” has stirred up quite a bit of controversy and has prompted Claudia Rankine to write a response to her former colleague about the poem.  Rankine has also invited her readers to share their thoughts about the poem on her web site. Hoagland has written his rejoinder.
Yet what is interesting about the poem--besides the kind of gaze that Donna Aza Weir-Soley describes in Eroticism, Spirituality, and Resistance in Black Women’s Writings that white men reserved for black women such as Saartjie Bartman or “The Venus Hottentot-- is that most of the space in the poem is devoted to descriptions of the black tennis player. Given the amount of detail and attention that the speaker pays to the black tennis player, whom the speaker admires because she is “so unintimidated/ hitting the ball like she was driving the Emancipation Proclamation/ down Abraham Lincoln's throat, / like she wasn't asking anyone's permission,” one could easily surmise than he is far more interested in “Vondella Aphrodite” than the “tough little European blonde.” But that is another story.
No, what’s really interesting about the poem is the distortion that it presents while at the same time claiming victim status. For despite the black player’s victory on the court, it is “the little pink judge” who confers status by placing a ribbon on her neck. “The little pink judge” and the “bleachers full of people/ in their Sunday tennis-watching clothes” control the levers of power, yet readers should empathize with the speaker and the spectators because the girl with "pale eyes and thin lips" won?  What is the moral ground for this empathy? Whiteness is a moral virtue? A tactical loss is equal to the loss of a century? Logic falls apart. The poem is a failure in ethics and intelligence.
“The Change” is the type of poem that seventy years ago black poets such as Robert Hayden would have had to slog through to learn the craft of writing while wiping the spit off his face. Fifty years ago, it was the kind of poem that African-American poets, who while they were aware of the poison, would have assigned to their protégés because of the skillful manipulation of language.
But that was then. This is now.
Fortunately African-American poets have a wealth of talent in writers such as Rita Dove, Yusef Komunyakaa, Patricia Smith, and Reginald Shepherd from whom they can learn the lessons of craft without the venom of subtle racism. For while Hoagland has written a technically flawless poem, which is an superb expose of a fin de siècle consciousness, the subject of race, which is only a fraction of our identity--we only think about race in the presence of others--is unworthy of its grandiloquence.

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March 16, 2011

President Barack Obama to Address Students at Miami Dade College’s North Campus Graduation on April 29


I can't wait to hear President Barack Obama deliver the keynote address at the graduation ceremony of the North Campus of Miami Dade College (my alma mater and where I work) on Friday, April 29, 2011, at 5 p.m., at the James L. Knight Center in downtown Miami.

I wonder if I'll get a chance for him to autograph my copies of The Audacity of Hope and Dreams from My Father?


Here's the official press release:

Miami, March 15, 2011 - More than 3,000 Miami Dade College (MDC) graduates will hear from the 44th President of the United States of America on Friday, April 29, 2011, at 5 p.m., at the James L. Knight Center in downtown Miami, as President Barack Obama delivers the commencement address for the spring graduation ceremony of the North Campus. The Commander-in-Chief’s participation in an MDC commencement ceremony continues the college’s longstanding tradition of hosting world leaders, renowned speakers and top thinkers at graduation. He will speak at one of eight graduation ceremonies representing the college’s eight campuses that weekend.

“We are extremely pleased to have President Obama address our graduates as he has made college access and completion a central focus of his administration,” said Dr.Eduardo J. Padrón, MDC’s president.

Miami Dade College is the nation’s largest institution of higher education with an enrollment of more than 170,000 students. In fact, 1.7 million people have attended the college since it opened its doors in 1960. MDC is a global college enrolling students from 182 countries. MDC also graduates more Hispanics and African Americans than any other higher education institution in the nation. The college’s eight campuses and outreach centers offer more than 300 distinct degree programs including several baccalaureate degrees.  MDC is also renowned for its rich cultural program. It is home of the Miami Book Fair International, Miami International Film Festival, the Cultura del Lobo performing arts series, the National Historic Landmark Freedom Tower, and a large art gallery and theater system.



MDC North Campus Commencement Ceremony United States President Barack Obama – Keynote Speaker

WHEN: Friday, Apr. 29, 5:00 PM - 7:30 PM
WHERE: James L. Knight Center, 400 S.E. Second Ave.

Media-only contacts:
Juan Mendieta, 305-237-7611, jmendiet@mdc.edu, MDC communications director

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