November 14, 2012

The Sweat Broadsheet Collaboration @ MBFI




On a sweltering evening in July 2009, a group of visual artists and writers met at Sweat Records in Miami to share their work and talk about ways they might work together. 

The group effort resulted in The Sweat Broadsheet Collaboration, a vibrant display of nearly 50 broadsheets created in a wide range of print media, all with the theme of sweat.  

Join the participating artists and writers for Lit Takes a Schvitz, Saturday, November 17 at 3:30 p.m. in the Centre Gallery (Building 1, 3rd Floor), as they present some very cool readings on a very hot topic.

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The documents posted on this web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

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November 13, 2012

Geoffrey Philp: Author, Poet, Proud Jamaican @ My Tropix




“When I was a yute in Jamaica, I fell in love with the girl next door and thought poems would be the way to win her heart. It didn’t work, but it started me on a path for which I am grateful.”


For more, please follow this link:





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Will Real Jamaican Men Stand Up?



Editor's Note: The beating of a gay student in Jamaica, which was videotaped and posted online, has embroiled the island in discussions about Jamaican masculinity, homophobia, and gender roles. These discussions are long overdue. Yet instead of encouraging diverse points of view, the mainstream newspapers in Jamaica have decided to ignore some of the core issues.

Here is a letter by Yvonne McCalla-Sobers that was rejected. 

Dear Editor:

Straight people should be fighting to end homophobia because of the damage done by beliefs about how a “real man” is expected to behave.

For example, a school youth invites homophobic bullying if he is polite and considerate, respects his parents, attends to his lessons, gets good grades, dresses neatly, shows an interest in arts and culture, and is still a virgin in Grade 8 let alone 10. In particular, he risks being called a sissy if he shows emotion – he is expected to “man up” even under trauma. 

So a savvy youth – straight or gay – will find ways to avoid the bullying. He will be crude and disrespectful, under-perform at school, support the violent and abusive elements in our culture, and sleep with (or pretend to sleep with) a growing list of females. Naturally he shows no emotion; he mostly deals with stress by smoking a ganja spliff or engaging in high-risk behavior such as unsafe sex or fast driving. To protect his macho reputation, he develops only superficial relationships with males. 

For the youth who is in conflict with his same-sex inclination, the disguise is complete when he joins in bullying those alleged to be gay. 

The adult male risks being considered gay if he values books apart from those needed for his faith or his job, and if he speaks as if he is widely read and able to think critically. He can be labelled gay if he is nurturing and considerate (especially to women), seems sexually responsible, and has non-sexual friendships with women. He will know better than to show physical affection to his son, or to have male bonding activities (apart from sports) with male friends or relatives. Too often, he affirms his macho identity in domestic violence, serial infidelity, unplanned fatherhood and other anti-social behaviour. No matter what, the behaviour of the “real man” must be the antithesis of all that is feminine. 

The closeted gay male can divert attention from his sexual orientation by adopting cultural norms for the way a “‘real man” behaves. A straight woman trapped in a marriage with a closeted gay male can expect mixed messages and hidden resentment from someone in denial or unable to disclose his true identity. Sex will be sporadic if at all, and absence of emotional connection can make the wife mentally or physically ill. If the male meets his sexual needs on the “down low”, the wife risks contracting HIV.

The society is in trouble when being intelligent, law-abiding, and able to show appropriate emotion is seen as gay, and where gay men are forced to live a lie for the sake of survival. The distorted image of the “real man” may well be contributing to rising violence against women, increasing alienation of young males from academic pursuits, increasing marital failure, rising use of illegal drugs, and increasing violent death or incarceration of males. The recent mob violence toward a gay man on the UTech campus could well be related to the student mob’s perception of what it means to be a “real man”.

Straight people need to begin to see that their self-interest requires an end to the distortion of masculinity that prevails in a homophobic society. 

Yours truly,
Yvonne McCalla Sobers




About Yvonne McCalla-Sobers

Yvonne McCalla Sobers is a Jamaican author. Her most recent book is Lifelines: The Black Book of Proverbs, published by Random House with a foreword by the Archbishop Desmond Tutu.

She has also written a cookbook - Delicious Jamaica! Vegetarian Cuisine, published by Book Publishing Company in 1996.

She is a former educator and management consultant. 



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Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

November 12, 2012

Hurricane Andrew: Twenty Years Later.



Give thanks to Nastassia Alayeto for including me in this remakable video about Hurricane Andrew:




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The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

The Miami Book Fair International 2012



Miami Book Fair International: http://www.miamibookfair.com/

Download the Fairgoer's Guide: http://www.miamibookfair.com/events/default.aspx


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Geoffrey Philp’s Blog Spot receives a percentage of the purchase price on anything you buy through links to Amazon, Shambala Books, Hay House, or any of the Google ads or Google Custom Search.

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The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

Veteran's Day Salute





Giving thanks to all those who served.

Image Source: http://uca.edu/outreach/veteransday/

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Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

November 9, 2012

Poetry Friday: Derek Walcott



Europa 

The full moon is so fierce that I can count the
coconuts' cross-hatched shade on bungalows,
their white walls raging with insomnia.
The stars leak drop by drop on the tin plates
of the sea almonds, and the jeering clouds
are luminously rumpled as the sheets.
The surf, insatiably promiscuous,
groans through the walls; I feel my mind
whiten to moonlight, altering that form
which daylight unambiguously designed,
from a tree to a girl's body bent in foam;
then, treading close, the black hump of a hill,
its nostrils softly snorting, nearing the 
naked girl splashing her naked breasts with silver.
Both would have kept their proper distance still, 
if the chaste moon hadn't swiftly drawn the drapes
of a dark cloud, coupling their shapes.

She teases with those flashes, yes, but once
you yield to human horniness, you see
through all that moonshine what they really were,
those gods as seed-bulls, gods as rutting swans
an overheated farmhand's literature.
Who ever saw her pale arms hook his horns, 
her thighs clamped tight in their deep-plunging ride, 
watched, in the hiss of the exhausted foam,
her white flesh constellate to phosphorous
as in salt darkness beast and woman come?
Nothing is there, just as it always was, 
but the foam's wedge to the horizon-light,
then, wire-thin, the studded armature, 
like drops still quivering on his matted hide,
the hooves and horn-points anagrammed in stars.




© Derek Walcott, The Fortunate Traveller, 1981 (extract from Selected Poems, Farrar, Straus and Giroux, 2007)



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The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

November 7, 2012

I Love You

Sydney PhilpThree simple words. But they are the most difficult words to say to a friend or partner and especially within Black and Caribbean families. This became painfully clear to me as I sat on a panel to discuss Reaching up for Manhood by Geoffrey Canada.

The panel, comprised mainly of Black, male professionals in Miami, came from many different social and cultural backgrounds. Some were born in California, Georgia, Florida, and St. Vincent. Others were policemen, lawyers, teachers, and writers. Yet many of us shared a similar predicament: we were raised by single mothers and we were now parents who were trying to figure out how to be good fathers.

Part of the difficulty in our circumstances was compounded by the fact that we rarely heard these three simple words and as a result, found it difficult to say them ourselves.

This was made painfully clear in the experience of one of the panelists who told the story about growing up in New York, after moving from St. Vincent, and watching season after season of The Cosby Show. After the third season of watching the Huxtables hugging each other and saying, "I love you," he finally had the courage to ask his mother a question.
While she was washing the dishes in the kitchen, he sat down by the dining room table and said, "Mama, do you love me?"
His mother in mid-stroke of cleaning a dish, turned off the water.
"What do you mean by 'Do I love you?'"
"I mean, do you love me?"
She put the dish back in the sink, wiped her hand in her apron, and turned to him.
"Boy, who has been buying all those clothes for you to go out to the mall with your friends? Who's been buying all those sneakers for you so that you can play basketball? Who's been working as extra job so that you can go to camp?"

Notice that despite all the protestations, she never said the words he longed to hear.

There is a hard pragmatism in single mothers. There has to be. She is both nurturer and disciplinarian. And in the case of a boy, especially when he enters his teens, his mother often leans hard on him, so he rarely sees her nurturing side.

If the boy had grown up in a dual parent household and if the parents were clever, the roles (some children never figure that these are roles) would fall to the father as disciplinarian and the mother as nurturer or they may even be reversed depending on the tendencies of the parent. Someone has to be the "bad cop."

But the roles are important because after being disciplined, you still need someone to tell you that X still loves you and X really cares for you and that everything will be all right. This is difficult to believe when X just beat the hell out of you and now wants to comfort you.

Many children in the Caribbean grow up in situations like this and are often exposed to the parent (read mother) who seems to have a split-personality. One minute the mother is all luvvy duvvy and the next minute she wants to kill you.

And the sad truth is that this has been happening in Caribbean communities for a long time.

There are many reasons for single parent households in the Caribbean. One could go back to the days of slavery when families were intentionally broken up and even if one never experienced the trauma, the fear of separation on a personal level was enough to cause hesitation--the fear of losing that which you hold most dear. Then, there were the economic factors that continue to plague Caribbean families and lead to all kinds of diasporas. These two factors combined with the absence of males in the community who could demonstrate what it means to be a father, continued to be passed on, almost genetically, from generation to generation and is the state in which we now find ourselves.

But some things need to end and begin with us. Right now.

We can say no to many things and we have. In my own case, the "arse-tearings" that I used to get ended with me. I have also seen in many of my friends that wonderful male nurturing known as fatherhood emerge in remarkable ways. These changes have been happening and even when there has been divorce, I have seen them step up to the plate and continue the role of nurturer, protector, and friend--a beautiful thing to behold.

And some--I count myself among them--have even been able to say to our children, the three magical words that some of us never heard from our parents: "I love you."
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Photo: My father, Sydney George Philp, and my daughter.

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November 5, 2012

Shoot the Sheriff: How to Overcome Writer’s Block

"And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” ~ Sylvia Plath.

So, there I was in front of the students at Zelda Glazer Middle when an aspiring writer asked the dreaded question: "How do you overcome writer's block?" 

Ah, youth! She probably didn't know that her innocent query was the equivalent of asking an actor about the Scottish play in a theatre. It is verboten. 
 
Still, I was kind and answered from my own experience. 

Whenever I have suffered from writer's block, it's because I have smalled-up myself. Usually it's a reaction to post-publication depression, anemic royalties, and/or unfair/devastating reviews. If all three happen at the same time, watch out! 

But even in the midst of disaster, I've noticed a pattern of expectations versus results. It takes an enormous amount of energy to conceive and finish a poem or short story. Imagine what it takes to complete a book of poems, short stories or a novel and then, to encounter critical and/or commercial failure? 

Don't get me wrong, I love writing. It's the most fun you can have without taking your clothes off. And writing, like making love, which requires tenderness and attention, should be approached with anticipation and joy. If it feels like a chore, then you're in the wrong business. 

Whenever I've gone through a period of writer's block, it feels as if I've dried up. It's no longer pleasurable. Then, insidious questions begin to flood my mind:  What makes you think that your writing is any good? Is this rejection and public humiliation worth the effort?
 
Writers from every culture face these kinds of questions and life is hard enough just being human. But when you add racism and historical/cultural influences--some people are entitled to speech and some are not--then, the questions take on an added dimension. We doubt our right to speak or to promote our own work. We lack confidence in our own voice.

And given the reticence in Jamaican/Caribbean culture, which is a direct result of 400 years of colonial propaganda designed for convince us that our lives are inferior to those in the "mother country," other questions bubble up: Who the hell do you think you are?
 
I've heard it in my head whenever I picked up a pen. I've felt it when I've read in front of an audience, especially in Jamaica. We are notoriously hard on each other and it's a symptom of tendency nurtured by either fear or envy, "Sammy plant piece a corn down a gully," that fears success and will kill anyone who does not conform or dares to let her light shine. 

On the Plantation, we have proverbs that caution against success, "The higher monkey climb," and names for the ones that drag others down, "Crabs in a barrel." Or the really nasty one, "Neyga cyaan see neyga prosper." But more, anon. 

To make the choice "to stay eager," I've had to figure out ways to bring myself back to writing without the thought of publishing because writing and publishing are two different processes. 

Whenever I am writing verse, I am only thinking about finding the right word, metaphor, and rhythm that best express the ideas and emotions in the poem. I like to think that I am writing from the Spirit. 

Publishing is another matter. Publishing plunges me into the world of samara where measuring, competition, and ego rule. Any writer who says she is not competitive is a boldfaced liar. We all have bills to pay and would sell our mothers for a lucrative publishing contract. 

So, as with everything else in life, it's a balance between the Spirit and Ego--your life's passion and material desires. Both should be acknowledged. We drive ourselves crazy when we step over into the chaos of ego/samsara and forget to create out of who we are. Writer's block is an affliction not only of the mind, but also of the spirit. 

In those dark moments when envy and anger cloud my mind and I feel as if I am drowning in self-pity, the self-defeating voices creep in: "Look at X, she is getting all of that fame, attention, and money, and all I have is my cat. And on some days, not even he likes my company." 

We crave validation from others because writing is a form of communication, which implies exchange/ transfer with at least one other person. Sometimes it's hard to find that ONE person. Your mother doesn't count. 

How do I climb out of the hellhole of thoughts that I've created in my own mind? How do I big-up myself, even when the world seems so huge and I am so small? 

Here are some starters: 

Breathe deeply and reorient myself. Just as there is a time to reap, there is a time to sow. Seventy-five percent of the living, reading, and researching never makes it into a finished piece of writing, so every now and then, it's necessary to step back from the writing, change my routine, and dig deeper into listening, reading, resting, and living. In those times, I remind myself with the wisdom of my mother who would say to me with her Rock of Ages voice, “This, too, shall pass, my son. This, too, shall pass. Be kind to yourself.” 

Spend time with my friends and family. Writing is a solitary vocation that takes up much of my daily life. There have been occasions when I've viewed writer's block as a blessing. It gave me time to reconnect with my friends and family who reassured me that I was not alone--even if the cat wouldn't come near me. 

I count my blessings. I am grateful for all the opportunities I've had over many years of writing and publishing. I am proud of every book that I've published. I've never published a book merely to say that I'm a published author. 

Remember my heroes. In particular, I think about what Bob Marley said at the "Smile Jamaica" concert: "The people, who were trying to make this world worse... are not taking a day off. How can I? Light up the darkness." Occasionally, this increases my anxiety about writing, but it has proven, at least on one occasion, to be an inspiration with Bob Marley and Bradford's iPod.
 
 
Sheriff John Brown always hated me
For what I don't know.
Every time I try to plant a seed.
He say 'Kill it before it grow'

Fear is a natural part of human life. It has kept the species alive for millennia. But, then, there's irrational fear that paralyzes healthy living. "We're all weird." But some of us are still stuck in the zeitgeist of the Plantation. We fear if one cog goes loose, the culture will fall apart. It won't.

Enter the Deputy or anyone from your past/present who says you are not good enough or you'll never make it. I don't have to go on. You know your own daemon better than I do. It's not their fault. They merely provide the triggering event. You can take it from there. 

Freedom came my way one day
And I started out of town, yeah!
All of a sudden I saw Sheriff John Brown
Aiming to shoot me down,
So I shot - I shot - I shot him down and I say:
If I am guilty I will pay. 

The problem is the Sheriff and for your survival, you have to shoot the Sheriff or the inner critic--whatever you want to name her. Or 

Trick the Sheriff. Sooner or later, if you are passionate about writing (as opposed to the idea of being a writer), you will feel the urge to write again, but your heart won't be in it. You'll have to fall in love with the process of creating to regain your confidence.

If the part of my mind that generates creative work through poetry by using rhythm and metaphor has shut down, I turn to non-fiction by writing articles and blogging. It gets the juices flowing because I'm going through the creative process of researching, distilling, and combining information about something that I am passionate about while at the same time being of service.

Then, follow the advice of Mary Heaton Vorse: "The art of writing is the art of applying the seat of the pants to the seat of the chair."
 

Here are a few other sites that may help you to overcome writer's block: 

 
I mean, who wants to end up living here?

November 2, 2012

Commonwealth Short Story Prize 2013



Awarded for the best piece of unpublished short fiction (2000 – 5000 words). Submissions must be made by the author of the short story.

Regional winners receive £1,000 and the overall winner receives £5,000.

The 2013 Commonwealth Short Story Prize will open for entry via the online entry form on 24 October 2012.

Closing date: Tuesday 4 December 2012 (12 noon GMT)





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Disclaimer of Endorsement


The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.

October 31, 2012

Me and My Ex-Zombie Girlfriend


You might think that she was a monster, but she really wasn’t.

I’d met her at Nirvana last Friday and the sex was non-stop. Well, if you don't count getting up at five in the morning to work security at the mall: putting on a dry-cleaned uniform and Ray-Bans, smoking primo weed, and doing nothing except watching other people live their boring lives. And then, buffing up at Bally's, smoking more weed, riding my Italian custom-fitted bicycle home, showering, and afterwards, heading to X-Treme where I work as a bouncer. 

As usual, I'd just come off my six-hour shift at X-Treme and went over to Nirvana. It was about one in the morning. She'd put her credit card on the counter and motioned to the bartender to keep the drinks coming. But after five drinks, I could see she was in trouble. Everything was spilling down the front of her dress. I pretended to help her. This is my routine for picking up women. I wait until they are high on X or some other drug and sneak them out the back door. And then, like Emeril says, "Bam!"

We did the nasty in the alley. When I told her we could go home and do it some more, she came along. Luckily, my mom was out of town. I'd "borrowed" her car. When we got home, we did it with handcuffs. Underneath I guess she was a nice girl who didn't want to hurt my feelings, so that's why she agreed. She was the only girl that I didn’t have slip a roofie to do it with handcuffs. The others that got away called me a pervert.

But she was different. She went along with everything. And even though she smelled bad (I thought it was because she didn't go home to shower), I doused her with mom's Chanel No.5 and went at it! Did I ever go at it!

She was perfect! She didn't eat anything and she had a killer body: 36-24-38. Plus, she never talked back. The only thing she ever said was, "Uh-huh" or something like that. Except for the zombie part, who wouldn't want a girlfriend like that?

But the next day, I had to break up with her. It was predictable. She was getting serious. When I came home, she was waiting in my room. Okay, I locked her in.

I told her I didn't want to do it with handcuffs. I wanted to make love. I even broke my pattern and let her get on top. That's when she came at me. I really think she was trying to open up to me, so I told her she had to leave.

 "Go. Leave now!" I screamed and all she could say was, "Uh-huh." But you have to understand, I felt so used, so misunderstood. I had to take a shower. To think, she only wanted me for my brains.

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October 29, 2012

Miami Artists and Writers SWEAT



MDC’s Galleries of Art + Design Presents The SWEAT Broadsheet Collaboration


Miami, October 23, 2012 - Miami Dade College’s (MDC) Galleries of Art + Design will present The SWEAT Broadsheet Collaboration, a project that originated with a small group of South Florida artists and writers, from Friday, Nov. 2 through Friday, Dec. 21 at the Wolfson Campus Centre Gallery. An opening reception will be held at 6 p.m. Thursday, November 1.The reception and exhibition are free and open to the public.    

The 46 artists and 40 participating writers were interested in the intersection of their respective genres – that is, artists interested in text and book arts, and poets and fiction writers attracted to visual images. Through a series of planned meetings, artists and writers from Miami-Dade, Broward, and Palm Beach counties met, shared their work and began to collaborate to create varied and vibrant limited edition artworks.

Nearly four years in the making, this exhibition includes seventy-eight broadsheets, fine art prints created in a wide variety of media. Media included in the exhibition include letterpress, silkscreen, etching, digital pigment prints, relief prints, monoprints and many forms of hand work, including hand coloring, hand-cut paper and applique on fabric.

The theme was “sweat,” partly as homage to South Florida’s tropical climate, partly as a nod to Sweat Records, the beloved store in Little Haiti where the group’s first meeting was held, and wholly intended as a flexible, broadly defined concept to be interpreted widely by the participants in the project.

MDC will host two related events. On Saturday, Nov. 17, a reading and discussion will be presented as part of the college’s Miami Book Fair International. A panel discussion with Alex Campos, executive director of the Center for Book Arts in New York, will be held at 6 p.m. Monday, Dec. 10. Panelists will include visual artist Rosemary Chiarlone; Michael Hettich, poet and professor at MDC; Jogn Cutrone, director of Jaffe Center for Book Arts and Frank Luca, Chief Librarian at the Wolfson Library

The participating artists are as follows: David Almeida, Diane Arrieta, Andrew Binder, Pip Brant, Abraham Camayd, Rosemarie Chiarlone, Xavier Cortada, John Cutrone and Seth Thompson (printers) with John Rachell (image), Denise Delgado, Ashley Ford, Robin Griffiths, Charles E. Humes Jr., Dorothy Kraus, Eddie A. López, Park McArthur, Alberto Meza, Scott Miller, Beatriz Monteavaro, Gary L Moore, Hugo Moro, Ania Moussawel, Joe Nicastri, Lea Nickless, Maria Pasita Andino, Celeste Pierson, Brian Reedy, Karen Rifas, Lydia Rubio, Beatricia Sagar, Samantha Salzinger, Pete Santa-Maria, Claudia Scalise, Onajide Shabaka, Alette Simmons-Jimenez, Victoria Skinner, Kari Snyder, Sara Stites, Lara Stein Pardo, Laura Tan, Sherri Tan, Carol Todaro, Alfredo Useche, Tom Virgin and Michelle Weinberg.

The participating writers are as follows: Lynne Barrett, David Beaty, Birds are Nice, Peter Borrebach, Crissa-Jean Chappell, C. M. Clark, K. C. Culver, P. Scott Cunningham, Purvis Daniels, Edwidge Danticat, Hector Duarte, John Dufresne, Denise Duhamel, Chloe Firetto-Toomey, Andrea Gollin, David Gonzalez, Nadege Green, Michael Hettich, Walter Hnatyish, Joanne Hyppolite, Brad Johnson, Brian Lehnen, Mia Leonin, Truman Lusson, Jessica Machado, Nick Mansito, Campbell McGrath, Astrid Justine

Nicastri, Yaddyra Peralta, Geoffrey Philp, Rochelle Theo Pienn, Phil Santa-Maria, Thomas Sleeper, Gabreil Spera, Nick Vagnoni, Susan Weiner, Antonia Wright, Stephen Caldwell Wright and Cyn. Zarco.

The Wolfson Campus Centre Gallery is located at 300 NE Second Ave., Building 1, Third Floor. Gallery hours are Wednesday, Thursday and Friday, 1 – 6 p.m.

For more information, please call 305-237-7700, or e-mail galleries@mdc.edu. 


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The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

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October 26, 2012

Wordle of Grandpa Sydney's Anancy Stories:



Wordle of my children's e-book Grandpa Sydney's Anancy Stories:
http://www.wordle.net/show/wrdl/5916316/Wordle_of_Grandpa_Sydney%27s_Anancy_Stories



***

Blog Disclosure Policy


Geoffrey Philp’s Blog Spot receives a percentage of the purchase price on anything you buy through links to Amazon, Shambala Books, Hay House, or any of the Google ads or Google Custom Search.


***

Disclaimer of Endorsement


The documents posted on this Web site may contain hypertext links or pointers to information created and maintained by other public and private organizations. These links and pointers are provided for visitors' convenience. I do not control or guarantee the accuracy, relevance, timeliness, or completeness of any linked information. Further, the inclusion of links or pointers to other Web sites or agencies is not intended to assign importance to those sites and the information contained therein, nor is it intended to endorse, recommend, or favor any views expressed, or commercial products or services offered on these outside sites, or the organizations sponsoring the sites, by trade name, trademark, manufacture, or otherwise.

Reference in this Web site to any specific commercial products, processes, or services, or the use of any trade, firm or corporation name is for the information and convenience of the site's visitors, and does not constitute endorsement, recommendation, or favoring by this blog.