Showing posts with label Writing Competition. Show all posts
Showing posts with label Writing Competition. Show all posts
September 27, 2013
2014 Commonwealth Short Story Prize: Open for entry 1 October
This year Commonwealth Writers turns its focus solely on the Commonwealth Short Story Prize as a unique award. The short story is an accessible form for writers across the Commonwealth who are able to enter from countries where there is little or no publishing industry, as well as being able to enter stories translated into English.
The 2014 Commonwealth Short Story Prize judging panel will be chaired by Ellah Allfrey, Deputy Chair of the Council of the Caine Prize, and previously Deputy Editor of Granta and Senior Editor at Jonathan Cape, Random House.
“My hope is that writers from across the Commonwealth will be encouraged to send us stories that bring us news of wherever they are, in the wide variety of voices and accents that make up the English language. It would be wonderful to see submissions from bold stylists and stories that experiment with the form as well as more traditional approaches to the short story. This prize celebrates the power of the short story to spin a tale that concentrates experience and character in such specificity that the local is transformed to significance far beyond its borders. This is the magic of good writing, and this is what I hope we will find.” Ellah Allfrey, Chair, 2014 Commonwealth Short Story Prize
The judges are: Doreen Baingana, Michelle de Kretser, Marlon James, Courttia Newland and Jeet Thayil. The panel reflects the five regions of the Commonwealth: Africa, Asia, Canada and Europe, the Caribbean, and the Pacific. Regional winners of the Commonwealth Short Story Prize will receive £2,500 and the overall winner receives £5,000. Translators of winning stories will receive additional prize money.
“We’re excited to be putting more resources into this year’s Short Story Prize. The award plays a key role in identifying strong original voices, as one part of Commonwealth Writers, the cultural initiative from the Commonwealth Foundation. We’re also proud to have such an accomplished team of judges.” Lucy Hannah, Programme Manager, Commonwealth Foundation
Commonwealth Writers is delighted to continue its partnership with Granta Magazine to give the overall and regional winners of the 2014 Commonwealth Short Story Prize the opportunity to have their story edited and published by Granta online.
This year Commonwealth Writers is pleased to announce a new association with the London-based literary and media agency Blake Friedmann, who will work with selected writers identified through the Prize.
May 13, 2013
Small Axe Literary Competition 2013
The Small Axe Literary Competition encourages the production
and publication of Caribbean fiction and poetry. The competition focuses on
poetry and short stories from emerging writers whose work centers on regional
and diasporic Caribbean themes and concerns. This competition is part of the Small Axe Project's ongoing commitment
to Caribbean cultural production and our mission to provide a forum for
innovative critical and creative explorations of Caribbean reality. With this
competition, we hope to encourage and support the region's rich literary heritage,
in the tradition of precursors such as Bim,
Kyk-over-al, Focus and Savacou.
The competition consists of two categories: poetry and short
fiction. Two winners are chosen from each category by a distinguished panel of
judges.
First Prize: $750 Second Prize: $500
2013 Competition submission deadline: 31 May, 2013
Winners of the 2012 competition will be published in Small
Axe 42 - July 2013.
Writers wishing to compete for a Small Axe Literary Prize
must submit the following to litcomp@smallaxe.net:
A double-spaced Word document containing: an original,
unpublished short story (maximum 7,000 words), or an original selection of
poetry (maximum ten poems, not exceeding ten manuscript pages). Manuscripts
must be free of any author information.
A separate document with a one-page biography, including
previously published works and full contact information (name, email address,
mailing address and phone)
***
http://www.causes.com/actions/1722148-urge-congress-to-exonerate-civil-rights-leader-marcus-garvey
We are also petitioning President Barack Obama to exonerate Marcus Garvey:
http://signon.org/sign/exonerate-marcus-garvey?source=c.url&r_by=4631897
Thank you for your support..
March 18, 2013
The Folio Prize
The Folio Prize is the first major English language book prize open to writers from around the world. Its aim is simple: to celebrate the best fiction of our time, regardless of form or genre, and to bring it to the attention of as many readers as possible.
Through The Folio Prize Academy, an international group of people who write, review and delight in books, it will discover and promote excellence in writing, encouraging people to put great literature at the centre of their lives.
The Folio Prize is open to all works of fiction written in English and published in the UK. All genres and all forms of fiction are eligible. The format of first publication may be print or digital.
For more information, please follow this link: http://www.thefolioprize.com/
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November 5, 2012
Shoot the Sheriff: How to Overcome Writer’s Block
"And by the way, everything in life is writable about if you have the outgoing guts to do it, and the imagination to improvise. The worst enemy to creativity is self-doubt.” ~ Sylvia Plath.
So, there I was in front of the students at Zelda Glazer Middle when an aspiring writer asked the dreaded question: "How do you overcome writer's block?"
Ah, youth! She probably didn't know that her innocent query was the equivalent of asking an actor about the Scottish play in a theatre. It is verboten.
Still, I was kind and answered from my own experience.
Whenever I have suffered from writer's block, it's because I have smalled-up myself. Usually it's a reaction to post-publication depression, anemic royalties, and/or unfair/devastating reviews. If all three happen at the same time, watch out!
But even in the midst of disaster, I've noticed a pattern of expectations versus results. It takes an enormous amount of energy to conceive and finish a poem or short story. Imagine what it takes to complete a book of poems, short stories or a novel and then, to encounter critical and/or commercial failure?
Don't get me wrong, I love writing. It's the most fun you can have without taking your clothes off. And writing, like making love, which requires tenderness and attention, should be approached with anticipation and joy. If it feels like a chore, then you're in the wrong business.
Whenever I've gone through a period of writer's block, it feels as if I've dried up. It's no longer pleasurable. Then, insidious questions begin to flood my mind: What makes you think that your writing is any good? Is this rejection and public humiliation worth the effort?
Writers from every culture face these kinds of questions and life is hard enough just being human. But when you add racism and historical/cultural influences--some people are entitled to speech and some are not--then, the questions take on an added dimension. We doubt our right to speak or to promote our own work. We lack confidence in our own voice.
And given the reticence in Jamaican/Caribbean culture, which is a direct result of 400 years of colonial propaganda designed for convince us that our lives are inferior to those in the "mother country," other questions bubble up: Who the hell do you think you are?
I've heard it in my head whenever I picked up a pen. I've felt it when I've read in front of an audience, especially in Jamaica. We are notoriously hard on each other and it's a symptom of tendency nurtured by either fear or envy, "Sammy plant piece a corn down a gully," that fears success and will kill anyone who does not conform or dares to let her light shine.
On the Plantation, we have proverbs that caution against success, "The higher monkey climb," and names for the ones that drag others down, "Crabs in a barrel." Or the really nasty one, "Neyga cyaan see neyga prosper." But more, anon.
To make the choice "to stay eager," I've had to figure out ways to bring myself back to writing without the thought of publishing because writing and publishing are two different processes.
Whenever I am writing verse, I am only thinking about finding the right word, metaphor, and rhythm that best express the ideas and emotions in the poem. I like to think that I am writing from the Spirit.
Publishing is another matter. Publishing plunges me into the world of samara where measuring, competition, and ego rule. Any writer who says she is not competitive is a boldfaced liar. We all have bills to pay and would sell our mothers for a lucrative publishing contract.
So, as with everything else in life, it's a balance between the Spirit and Ego--your life's passion and material desires. Both should be acknowledged. We drive ourselves crazy when we step over into the chaos of ego/samsara and forget to create out of who we are. Writer's block is an affliction not only of the mind, but also of the spirit.
In those dark moments when envy and anger cloud my mind and I feel as if I am drowning in self-pity, the self-defeating voices creep in: "Look at X, she is getting all of that fame, attention, and money, and all I have is my cat. And on some days, not even he likes my company."
We crave validation from others because writing is a form of communication, which implies exchange/ transfer with at least one other person. Sometimes it's hard to find that ONE person. Your mother doesn't count.
How do I climb out of the hellhole of thoughts that I've created in my own mind? How do I big-up myself, even when the world seems so huge and I am so small?
Here are some starters:
Breathe deeply and reorient myself. Just as there is a time to reap, there is a time to sow. Seventy-five percent of the living, reading, and researching never makes it into a finished piece of writing, so every now and then, it's necessary to step back from the writing, change my routine, and dig deeper into listening, reading, resting, and living. In those times, I remind myself with the wisdom of my mother who would say to me with her Rock of Ages voice, “This, too, shall pass, my son. This, too, shall pass. Be kind to yourself.”
Spend time with my friends and family. Writing is a solitary vocation that takes up much of my daily life. There have been occasions when I've viewed writer's block as a blessing. It gave me time to reconnect with my friends and family who reassured me that I was not alone--even if the cat wouldn't come near me.
I count my blessings. I am grateful for all the opportunities I've had over many years of writing and publishing. I am proud of every book that I've published. I've never published a book merely to say that I'm a published author.
Remember my heroes. In particular, I think about what Bob Marley said at the "Smile Jamaica" concert: "The people, who were trying to make this world worse... are not taking a day off. How can I? Light up the darkness." Occasionally, this increases my anxiety about writing, but it has proven, at least on one occasion, to be an inspiration with Bob Marley and Bradford's iPod.
Sheriff John Brown always hated meFor what I don't know.Every time I try to plant a seed.He say 'Kill it before it grow'
Fear is a natural part of human life. It has kept the species alive for millennia. But, then, there's irrational fear that paralyzes healthy living. "We're all weird." But some of us are still stuck in the zeitgeist of the Plantation. We fear if one cog goes loose, the culture will fall apart. It won't.
Enter the Deputy or anyone from your past/present who says you are not good enough or you'll never make it. I don't have to go on. You know your own daemon better than I do. It's not their fault. They merely provide the triggering event. You can take it from there.
Freedom came my way one dayAnd I started out of town, yeah!All of a sudden I saw Sheriff John BrownAiming to shoot me down,So I shot - I shot - I shot him down and I say:If I am guilty I will pay.
The problem is the Sheriff and for your survival, you have to shoot the Sheriff or the inner critic--whatever you want to name her. Or
Trick the Sheriff. Sooner or later, if you are passionate about writing (as opposed to the idea of being a writer), you will feel the urge to write again, but your heart won't be in it. You'll have to fall in love with the process of creating to regain your confidence.
If the part of my mind that generates creative work through poetry by using rhythm and metaphor has shut down, I turn to non-fiction by writing articles and blogging. It gets the juices flowing because I'm going through the creative process of researching, distilling, and combining information about something that I am passionate about while at the same time being of service.
If you don't believe me, how do you think I've continued writing for so many years?
Here are a few other sites that may help you to overcome writer's block:
I mean, who wants to end up living here?
June 23, 2012
The 2013 Hollick Arvon Caribbean Writers Prize
October 6, 2011
SI Leeds Literary Prize 2012
SI LEEDS LITERARY PRIZE 2012
a new award for unpublished fiction by Black and Asian women
A new award for unpublished fiction by Black and Asian women will be launched this week in Ilkley. The SI Leeds Literary Prize has been created by Soroptimist International of Leeds, in partnership with two well established and highly regarded literary organisations, the Ilkley Literature Festival and independent publishers Peepal Tree Press.
The prize aims to act as a loudspeaker for Black and Asian women's voices, and a platform to discover and celebrate exciting new talent, from a group largely under-represented on our bookshelves.
The inaugural prize will be awarded in October 2012, and will consist of £2,000 to the winner, £750 to the runner-up and £250 as a third prize. In addition to the cash awards Peepal Tree Press will offer the winning, runner-up and third placed authors two 1:1 consultancy sessions in professional development support through its Inscribe programme. With the winner's consent, the winning manuscript will be given serious consideration for publication by Peepal Tree Press.
The distinguished Chair of Judges is Margaret Busby OBE, who has served as judge for many literary awards including the Caine Prize for African Writing, the Orange Prize, the Independent Prize for Foreign Fiction and the OCM Bocas Prize for Caribbean Literature. A writer, editor, consultant, reviewer and broadcaster, Margaret became the UK's youngest and first Black woman publisher when she co-founded Allison & Busby Ltd, of which she was Editorial Director for 20 years.
In the words of our patron, Bidisha, "The prize is important in demonstrating to a world which has always talked down or ignored the value of women's work and of the work of post-diaspora second generation peoples, apart from a very few favoured names, that our genius is plentiful, not rare; prodigious and prolific, not exceptional or occasional; that it is longstanding, not recent; that it is enduring and not a novelty; and that it is strong and powerful, not marginal or unimportant. The prize is important and necessary but, more than that, it is introduced to the world as an act of joy, happiness and the discovery of new work. Join us in celebration."
For more information on the prize, see www.sileedsliteraryprize.com
For further information, images or interview requests, please contact Fiona Goh, Project Manager
tel: 01422 435077 or e-mail: info@siliteraryprize.com
Editors' notes:
Soroptimist International is a worldwide organisation for women in management and the professions, working through service projects to advance human rights and the status of women. Soroptimists inspire action and create opportunities to transform the lives of women and girls through a global network of members and international partnerships. See http://soroptimist-gbi.org/leeds/ for more information on Soroptimist International of Leeds.
The prize is being launched at the event by Jean 'Binta' Breeze and Aoife Mannix at the Ilkley Playhouse Wharfeside, at 7.30pm on Thursday 6 October 2011, as part of the 2011 Ilkley Literature Festival.
Details on how to enter the prize and further information on our judges and patrons can be found at www.sileedsliteraryprize.com
The SI Leeds Literary Prize is open to self-defined Black & Asian women writers across the UK. Please share the news with anyone you think might be interested in or might benefit from the award.
February 2, 2011
Guyana Prize for Literature Caribbean Award
CARIBBEAN AWARD
The Guyana Prize for Literature was established in 1987
• To provide encouragement for the development of good creative writing among Guyanese in particular and Caribbean writers in general.
During the Awards Presentation on the Twentieth Anniversary of the Prize it was declared that after contributing to the advancement of the literature through the recognition of Guyanese writers, the pledge to Caribbean writing should now be honoured in a specific and direct way. This need was further felt since there was still no literary prize offered within the region for Caribbean literature.
The pledge became a reality when it was announced in Georgetown on November 2, 2010, that the Government of Guyana had provided funds to the Management Committee of the Guyana Prize for the first Guyana Prize for Literature Caribbean Award, starting with the Prize for 2010.
There will be three Awards in the categories of Fiction, Poetry and Drama, with a prize of US$ 5,000 for the winner in each category.
ELIGIBILITY
The Prize is for published books and is open to works by citizens of Caribbean countries : Caricom States, the Commonwealth Caribbean, the Netherland Antilles.
To be eligible for entry, a book must have been
• originally written and published in English
• published in the calendar years 2009/2010; i.e. between January 1, 2009 and December 31, 2010;
for Drama, entries must
• be full-length plays, first published/performed between January 1, 2009 and December 31, 2010.
Each publisher may enter a maximum of 5 works in each category.
No more than one work by any author may be entered in each category.
It is the responsibility of the publisher to verify the nationality of the authors where necessary
SUBMISSIONS
Entries should be submitted to
The Management Committee
Guyana Prize for Literature Caribbean Award
School of Education and Humanities
University of Guyana
P.O. Box 101110 Georgetown, Guyana
Closing date for entries is February 28, 2011.
Entries must be accompanied by a separate sheet with the following information for each author
• name, date and place of birth, citizenship
• address, telephone number, Fax number, e-mail address
• title of work
• date and place of publication
• date(s) and place of performance or publication for plays
• brief bio-sketch/career resume of author
• photograph of author
Four copies of each entry must be submitted
Winners in the three categories will be decided by a Jury of eminent persons in the field. A shortlist of finalists will be announced approximately one month before the Awards Ceremony, and may be used as a part of promotion for the Prize.
The winners, as a condition of entry, are expected to attend the Prize Awards Ceremony to be held in Georgetown, Guyana in May, 2011, on a date to be announced, and should also be prepared to give public reading(s) from their works as organised by the Guyana Prize Management Committee. Airline tickets and expenses for the visit to Georgetown will be provided where necessary.
Al Creighton
Secretary, Management Committee
The Guyana Prize for Literature
University of Guyana
P.O. Box 101110
Phone 592-222-3470 / 222-4923
Fax 592-222-7015
e-mail : guyanapri@yahoo.com
***
Related articles
- OCM Bocas Prize for Caribbean Literature (geoffreyphilp.blogspot.com)
- Literature about the Caribbean (repeatingislands.com)
- Why is our literature so different? Why? (caribbeanbookblog.wordpress.com)
January 16, 2011
Commonwealth Short Story Competition: Call for Entries
Deadline: 1 March 2011
Write a short story for radio and enter the 2011 Commonwealth Short Story Competition.
Entries are invited from all writers, professional and amateur, who are citizens of a Commonwealth country and aged 19 or over.
The winner receives a prize of £2000 and there are four regional prizes of £500. There will also be two special prizes of £500 each; one for the best short story for children and the other for the best short story about this year’s Commonwealth theme, ‘Women as Agents of Change’.
The competition is an annual scheme to promote new creative writing, managed by the Commonwealth Foundation in association with the Commonwealth Broadcasting Association.
Related articles
- PUB: Association of Christian Writers " ACW Anniversary Short Story Competition (kalamu.posterous.com)
- Free Global Poetry Competition launched (caribbeanbookblog.wordpress.com)
- PUB: Levis Reading Prize, VCU Department of English (kalamu.posterous.com)
- PUB: Selected Shorts at Symphony Space (kalamu.posterous.com)
- PUB: Leapfrog Press :: Fiction Contest (kalamu.posterous.com)
- PUB: The North Carolina Writers' Network (kalamu.posterous.com)
- PUB: Word Riot Submission Manager (kalamu.posterous.com)
- Does a Short Story Have a Three-Act Structure? (advancedfictionwriting.com)
- PUB: Writing Contest (kalamu.posterous.com)
- PUB: Entry Rules - The CZP / Rannu Fund (kalamu.posterous.com)
- PUB: www.gemini-magazine.com short short story contest fiction (kalamu.posterous.com)
December 13, 2010
Top Ten Hits 2010
One of the more pleasant rituals of blogging is the calendar year analysis of posts. Luckily, I’ve installed Google Analytics, so the process is relatively easy.
If there is a trend in the types of hits, it seems to suggest that readers are interested in information about writing competitions and opportunities for publication. There was continued interest in two perennial favorites, Bob Marley and Marcus Garvey, and I was pleased with the number of visits for children’s books. This is a neglected area in our writing and if I can do anything to promote the work of children’s authors such as Diane Browne and sites such as Anansesem , I will certainly do my best. For if our writing does not try to engage youngsters, from as early as possible, in the critical task of questioning identity through creative acts, then why are we writing at all?
I had a wonderful surprise with the placement of the book review of Anton Nimblett’s Sections of an Orange, which may help to explain why visitors from Trinidad and Tobago have risen to #4 on the 2010 Top Ten List and #6 on the All Time Hits. I still can’t explain why the Philippines, Germany, and China are not on the Top Ten Hits for 2010.
Top Ten Hits: Country/Territory (2010)
Country/Territory | Visits | |
1. | United States | 27838 |
2. | Jamaica | 5876 |
3. | United Kingdom | 3385 |
4. | Trinidad and Tobago | 3205 |
5. | Canada | 3156 |
6. | India | 1204 |
7. | Belize | 978 |
8. | France | 795 |
9. | Barbados | 780 |
10. | Australia | 751 |
All Time Top Ten Hits: Country/Territory (1/1/2006 to 12/1/2010)
Country/Territory | Visits | |
1. | United States | 117903 |
2. | Jamaica | 18423 |
3. | United Kingdom | 14393 |
4. | Canada | 13141 |
5. | India | 9333 |
6. | Trinidad and Tobago | 8209 |
7. | Philippines | 7566 |
8. | China | 7496 |
9. | France | 7212 |
10. | Germany | 4377 |
Based on a comparison of the All Time Top Ten Hits and the Top Ten Hits for 2010, readers are expecting information about the following topics, which I will attempt to cover in 2011 as I have done in the past:
- Caribbean authors/literature
- Bob Marley/reggae
- News about Caribbean authors and in the case of obituaries, the significance of the author’s work
- Children’s books/literature
- Writing competitions and opportunities for publishing
- New Books and Book Reviews
All Time Top Ten Hits (1/1/2006 to 12/1/2010)
Page Title | Visits | |
1. | 13400 | |
2. | 10695 | |
3. | 10429 | |
4. | 7339 | |
5. | 4134 | |
6. | 3813 | |
7. | 3523 | |
8. | 3472 | |
9. | 3039 | |
10. | 2355 |
Of course, I will continue to explore questions, which while not popular, seem to be gaining momentum:
- What are the challenges that Caribbean authors face in the new digital age?
- What are the new books/works that not only entertain, but are also engaged with the issues of expanding the moral imagination of Caribbean creole identity? What are the elements of a Caribbean creole identity?
- How does the Caribbean literary tradition inform our discourse about violence, especially toward children, the LGBT community, and ourselves?
- How do folk elements/mythology contribute to the Caribbean literary tradition?
It seems as if I have a lot of work ahead of me. But with the help of my friends, I know “every little thing’s gonna be all right.”
It’s also good to know that there are other web sites out there such as Repeating Islands, Signifying Guyana, The Caribbean Review of Books, The Caribbean Book Blog, and Jamaican Literature where readers will also get excellent information about writing from the Caribbean.
Here, then, are the Top Ten Hits for 2010 in reverse order:
Top Ten: Hits (2010)
Page Title | Visits | |
10. | 216 | |
9. | 259 | |
8. | 262 | |
7. | 289 | |
6. | 320 | |
5. | 343 | |
4. | 427 | |
3. | 432 | |
2. | 831 | |
1. | 1851 |
I wonder what the 2011 will bring? Your guess is as good as mine…
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