September 22, 2010

"Art and the Diasporic Imagination" by Ricardo Pau-Llosa

Ricardo Pau-Llosa - Art and the Diasporic Imagination





September 30, 2010
8:00pm
Books & Books 


265 Aragon Ave. Coral Gables, FL 33134 

(305) 442-4408

For over three and a half decades, Ricardo Pau-Llosa has been a prominent figure in the literary and visual arts of South Florida.  An internationally recognized authority on Latin American Modernist art, Pau-Llosa has attained equal prominence as a poet and essayist.  And he has also been collecting art.  The University of Notre Dame’s Snite Museum of Art is featuring a major exhibition this fall: Parallel Currents: Highlights of the Ricardo Pau-Llosa Collection of Latin American Art (Aug. 29-Nov. 14).

Pau-Llosa will be signing copies of the superbly designed and printed, full-color book accompanying the exhibition which includes a penetrating essay, “Art and the Diasporic Imagination” (published with facing-page translation into Spanish), in which Pau-Llosa discusses the emergence of the Latin American art scene in Miami, the role art played in his exile family’s struggles to establish themselves in America,  and the development of his original critical model for the interpretation of the region’s art.  Above all, the catalogue and exhibition are a tribute to how art, ideas, and poetry have coalesced in the life, home, and work of a celebrated poet.  Also being presented this evening is the just released book,
The Miami of the Poet (The Maker Press), with a selection of Pau-Llosa’s South Florida-inspired works alongside photographs by James Gersing, first in a series that will pair poets and photographers whose works capture the spirit of different cities.

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September 21, 2010

West Indian Writers: A Tentative List


Introduction
This bibliography presents selected texts of Caribbean writing in English and of works on the background to the writing.  Many of these represent the first writers and writings that identified and defined West Indian Literature. They are familiar names in the now established West Indian Canon. Many new writers and distinctive works have emerged since the early days, a number of whose names and works are listed.  This bibliography is aimed at those discovering the Literature and will help them to identify the major writers, the now-classic authors and talented new voices. The selected readings give a broad chronological background to the history of the literature, and its cultural and historical setting. The anthologies provide a perspective on the span of writers and their concerns. The range of anthologies – from the classic first compilations to the more recent –also offer a historical view of the development of the literature.
For more information, please follow this link: http://wadadlipen.wordpress.com/2010/09/20/bibliography-of-west-indian-literature-in-english-by-john-r-lee/

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September 20, 2010

A Conversation With...Diana McCaulay



Where were you born? Describe current family life.    


I’m a born yah - was born in Kingston, Jamaica. My parents and three of my four grandparents were also born in Jamaica – different parts of the country. I have ancestral connections to Black River, St. Ann’s Bay, Mandeville and Ulster Spring.


I’m married to Fred Hanley, and I have a grown up son, Jonathan, who is an actor living in London. I have two sisters, Marilyn and Suzie – Marilyn lives in Toronto and Suzie in Kingston.


What do you do for a living? Why did you choose this vocation?


I am the founder and Chief Executive Officer of a non profit environmental group called the Jamaica Environment Trust or JET. JET is almost 20 years old, and I have been its full time CEO since 1998 – I worked in the insurance industry before that – have had many different occupations, actually. I became concerned about the natural environment back in the late 1980s because I realized that some gorgeous Jamaican places were being destroyed. One of them was the Palisadoes strip – a place my parents used to take me when I was a child to run up and down on the beach and watch the sunset. I took a house guest there and saw it had become an illegal garbage dump. I thought, someone should do something about this, and gradually, that someone became me. I didn’t know anything about the environment but I started talking to people, reading about it, and the more I learned the more concerned I became. Along with a group of friends and business colleagues, we started JET in 1991 and I eventually left my private sector job to run JET full-time.


Why did I do this? I think Jamaica is a special island, a very beautiful place, and I hated to see the damage we were doing (still doing) to our home. I have a very strong attachment to place, a love for nature, and I think many of our development and social problems are exacerbated by the way we treat our natural resources. It’s an ethical and moral position for me – we have a responsibility to be good stewards of the environment, to function as part of the natural world, not as some kind of exception. As a writer, I’m very interested in rootedness, in a sense of place and belonging, which dovetails with my environmental work.


Who are your three favorite writers? Why?


That’s a hard question to answer, because I may not like all the books a favourite writer has produced and my tastes change over time. But the three writers I will always buy are probably Barbara Kingsolver, J.M. Coetzee, and Kei Miller. But I’m looking at my bookshelves as I’m writing this and thinking: I can’t choose! Don’t make me choose! I love Barbara Kingsolver’s early work – partly because of her attention to place, to minority communities and people. I loved The Poisonwood Bible, which was a much more ambitious novel. Coetzee is brilliant – he introduces so many layers and abstractions in what appear to be short, simple works. My favourite of his books is The Life and Times of Michael K. Kei is my favourite Jamaican writer – he writes in three genres, short stories, novels and poetry – and he is a wonderful performer as well. Try not to read your work in public after Kei has read his! I am reading his new book now – The Last Warner Woman – but have not yet finished it.


What was the first book you fell in love with and how have your reading habits changed over the years?


My mother used to tell me I was reading before I was five, so I probably don’t remember the very first book I fell in love with – maybe the one with Noddy and the train? Too long ago. 


The first book I remember bringing me to tears was probably Black Beauty – I read a lot about animals before I was ten. In my early teens, my father gave me adventure stories, war stories – the novels of C.S. Forrester, Nicholas Monsarrat and later, Ernest Hemmingway. My father convinced me that the only proper subject for literature was war. Then in the hormonal turmoil of adolescence I read the usual romance novels – two I remember being unable to stop reading were Margaret Mitchell’s Gone With The Wind and Daphne du Maurier’s Rebecca. I grew up liking the big novel, lots of drama and action and tragic love affairs. When I went to school, there was not much emphasis on West Indian literature, so I did not read Caribbean writers widely. I loved V.S. Naipaul’s A House for Mr. Biswas, which I studied at A-Level – used to comb through it looking for his metaphors. I have always been an omnivorous reader, though, I read many genres, many types of fiction – not much non fiction, unless it is environmental. I read more than one book at a time as well, depends on my mood. Now I am trying to make my reading count – I know I will not be able to read all the books I want to in my life, so I don’t read much commercial fiction. I am also filling the gap of not being well grounded in Caribbean literature. I read prize winning fiction too – hoping the prize judges are doing some selection for me!


What are you reading now?


Kei Miller’s The Last Warner Woman; Liz Rosenberg’s Home Repair and Kevin McIlvoy’s The Fifth Station. Three novels that could not be more different. I just finished Jessica Anthony’s The Convalescent and I cannot recommend that highly enough – Jess is a young writer, this is her first book and it is literally marvelous. The highest praise I can give a book is – I wish I had written it – and I wish I had written The Convalescent.


About the Author


Diana McCaulay is a Jamaican writer, newspaper columnist and environmental activist. She has lived her entire life in Jamaica and engaged in a range of occupations – secretary, insurance executive, racetrack steward, mid-life student, social commentator, environmental advocate. She is the Chief Executive of the Jamaican Environment Trust and the recipient of the 2005 Euan P. McFarlane Award for Outstanding Environmental Leadership. Dog-Heart won first prize in the 2008 Jamaican National Literature awards.
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September 19, 2010

Serialized Novel @ The Daily Gleaner: Bad Girls in School


Interesting news! Hot off the press news? I was delighted to see in The Gleaner magazine, Youthlink, the beginning of a story: Fly Guy, chapter 1. "Space for a Kite", by Gwyneth Harold. I had mentioned Gwyneth Harold's book, Bad Girls in School (Heinemann) in a previous blog when I was discussing young adult books that are now dealing with the present day reality for many of our youth in schools. And I really do applaud her for taking on that topic, and Heinemann for publishing the book. So I am very pleased to see her writing what would appear to be a novel for this young adult target audience, which will be serialised in that newspaper. I don't know anything more about it. I just saw it and thought I'd share it with you. I will try and get in touch with Gwyneth just to make sure that I haven't got the premise wrong. So if any of you are in contact with her, or anyone tells you about this blog, Gwyneth, please contact me at mdianebrowne@yahoo.com.
For more information, please follow this link: http://dianebrowneblog.blogspot.com/2010/09/young-adult-story-in-gleaner-magazine.html

Save the Dates: Geoffrey Philp reads from Dub Wise


Friday, September 24 · 6:30pm - 8:00pm
Oasis Deli at the Whitten University Center,
Coral Gables, FL 33146



Saturday, September 25 · 2:00pm – 4:00 p.m.
South Regional/Broward College Library,
7300 Pines Boulevard,
Pembroke Pines, FL 33024,




Praise for Dub Wise


“Without losing the joy of play or the play of the rhythms, Dub Wise celebrates the burdens and delights of love, friendships and the responsibility of being at home in the world.” --Olive Senior

“Geoffrey Philp...sensitively explores his complex heritage, alert to the environment he has entered and to his Jamaican roots.”
--Mervyn Morris

“Above all, there is the continuing infolding of a ‘Jamaica Tradition’ as being established in the voices of Morris & Dawes, plus also the acknowledgment of McNeill, Baugh, Mikey Smith & Garvey, and the NL of Jean Binta Breeze.”
--Kamau Brathwaite.




About Geoffrey Philp:


Geoffrey Philp is a poet and fiction writer who teaches English at Miami Dade College, where he also chairs the North Campus' College Preparatory Department. Born in Kingston, Jamaica, he attended Mona Primary and Jamaica College, where he studied literature under the tutelage of Dennis Scott. When he left Jamaica in 1979, he went to Miami Dade College and after graduating, studied Caribbean, African and African-American literature with Dr. O.R. Dathorne and creative writing with Lester Goran and Isaac Bashevis Singer at the University of Miami, where he earned both a baccalaureate degree and Master of Arts in English. In 1991, he returned to the U. of Miami as a James Michener Fellow and studied poetry under Kamau Brathwaite and fiction with George Lamming.

Prof. Philp has published five collections of poetry; a children's book; two books of short stories,
Who’s Your Daddy? and Uncle Obadiah and the Alien, and a book of poems and short stories titled Twelve Poems and a Story for Christmas. His master's thesis, Benjamin, My Son, was published by Peepal Tree Press in 2003. A critically acclaimed author, Philp's work has appeared in numerous journals and anthologies, including Small Axe, Gulf Stream, Canopic Jar, Wheel and Come Again: An Anthology of Reggae Poetry, the Oxford Book of Caribbean Short Stories, and the Oxford Book of Caribbean Verse.



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Upcoming Posts:


A Conversation WithDiana McCaulay, Charmaine Valere, Andrea Shaw, Garfield Ellis, and Anton Nimblett.
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September 17, 2010

New Book: Create Dangerously: The Immigrant Artist at Work by Edwidge Danticat

Fans of Edwidge Danticat (Brother, I’m Dying; Breath, Eyes Memory, Krik? Krak!) will discover even more to love in Create Dangerously: The Immigrant Artist at Work (Pub date: October 13, 2010) while newcomers will be inspired by this intensely personal, yet simultaneously universal book. Danticat draws on her Haitian background and experiences as an author, as well as comments from colleagues in art, literature, photography, and journalism, to answer important questions about the challenges faced by immigrant artists who are compelled to write about their homelands.
A moving chapter expands on an article Danticat wrote for The New Yorker following the earthquake in January 2010 in which she reflected upon the multiple roles she must occupy – mourning on a personal level for her cousin lost in the earthquake, while also communicating with a broad, international audience about a national tragedy.
This beautifully-written and inspirational book is based, in part, on lectures given as part of the Toni Morrison Lecture Series at Princeton University (video available on our web site). Danticat will also publish a picture book with Scholastic this fall called Eight Days about a child who survives the earthquake using his imagination. She continues to travel to Haiti and to advocate for international attention to and support of the rebuilding efforts there.
“Edwidge Danticat’s prose has a Chekhovian simplicity—an ability to state the most urgent truths in a measured and patiently plain style that gathers a luminous energy as it moves inexorably forward. In this book she makes a strong case that art, for immigrants from countries where human rights and even survival are often in jeopardy, must be a vocation to witness if it is not to be an idle luxury.”
“This is the most powerful book I’ve read in years…Though it describes great upheaval, tragedy, and injustice, it’s full of humor, warmth, grace, and light.”
Dave Eggers, author of Zeitoun and What Is the What
“Edwidge Danticat is a great literary artist. She is also a grand cultural critic whose wisdom and compassion loom large in this magnificent book.”
Cornel West, Princeton University
About the Author:

Edwidge Danticat was born in Haiti in 1969 and moved to the United States when she was twelve. She is the author of two novels, two collections of stories, two books for young adults, and two nonfiction books, one of which, Brother, I’m Dying, was a finalist for the National Book Award and winner of the National Book Critics Circle Award for autobiography. In 2009, she received a MacArthur Fellowship.
EDWIDGE DANTICAT encourages us to CREATE DANGEROUSLY in her first book published since the award-winning Brother, I’m Dying.



CREATE DANGEROUSLY
The Immigrant Artist at Work
Edwidge Danticat
Cloth | ISBN13: 978-0-691-14018-6 | $19.95 / £13.95
208 pp. | 5 1/2 x 8 1/2
Pub date: October 13, 2010


Contact:
In North America:
Contact: Jessica Pellien
Phone: (609) 258-7879
Fax: (609) 258-1335

In Europe, Africa & Middle East:
Contact: Caroline Priday
Phone: 1993-814-506
Fax: 1993-814-504
cpriday@pupress.co.uk


Photo of Edwidge Danticat: Nancy Crampton
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September 15, 2010

Chenjerai Hove @ Books & Books Tonight


In anticipation of Banned Books Week, Miami City of Refuge writer-in-residence, Chenjerai Hove will read entries from his book of poetry, Blind Moon (Michigan State, $22.95), and speak of his plight as a censored writer in Zimbabwe. Presented in collaboration with Florida Center for the Literary Arts. 

September 15, 2010
8:00pm
Books & Books
265 Aragon Ave.
Coral Gables, FL 33134

Mr. Chenjerai Hove (pronounced chen-jeh-rye  hoe-veh) is a Zimbabwean author, poet, essayist, playwright, and human rights activist.  He has a Bachelor’s degree in Education and holds an equivalent to a Master of Arts with specializations in African Literature, Socio-Linguistics and Literary Theory. For over thirty years, Hove wrote from his native country unafraid of the risks involved in writing and teaching about the ugliness of his government. As time went on, his work became an increasingly political target of attack and so, after endless bribes and countless death threats, Hove finally fled to exile in 2001

Hove is the founder of the Zimbabwe Writers Union and the Zimbabwe Human Rights Association (Zimrights).  He has lectured on the craft of writing as well as social justice at major universities across the globe. He has received the highest prize in literature given on the African Continent (the NOMA award) for his novel Bones in 1988, and his essays on social justice entitled Palaver Finish earned him the German-Africa prize in 2001.

CHENJERAI HOVE
Notable Books with Descriptions-

Bones
Publisher: Baobab Books (January 1, 1988)  
ISBN-10: 0908311036  

This proclaimed novel, and Zimbabwean classic, won both the Zimbabwe Book Publishers' Association first prize for literature, and the Noma Award for Publishing in Africa in 1989. The jury citation described the novel as 'a powerful, moving, and ambitious novel, written with exceptional linguistic control, plumbing the depths of human suffering but having the wisdom to hope'. The story is the sensitive evocation of Marita, a farm- worker, whose only son joined the freedom fighters in Zimbabwe's war of liberation. The poetic language is rich in Shona idiom.

Blind Moon
Publisher: Weaver Press; illustrated edition (December 29, 2003)  
ISBN-10: 1779220197  

A new collection of evocative and defiant poetry, the poems reflect on the plight of the individual citizen and the state of Zimbabwe, the poet's birthplace and spiritual home. They convey empathy for those who suffer anonymous deaths at the expense of tyrannical power, and yearning for a more peaceful world and spirit of common destiny; their intention being in his words' to persuade the heart and the soul and human body to be together and to gently cry out to the world'.

Palaver Finish
Publisher: Weaver Press Ltd (January 1, 2004)  
ISBN-10: 1779220014  

This volume brings together a series of articles, which have previously appeared in his weekly column in The Zimbabwe Standard. Hove, publishing in Zimbabwe, believes the voices of the nation's politically engaged writers - in tune with the mood of the people and the times - are crucial in the current climate of political violence and censorship. To outside media and observers trying to ascertain the truths of the political situation, his writings offer insights from a black Zimbabwean writer and critic. Hove writes for and about Zimbabwe from a perspective that acknowledges recent history, and debates around culture, tradition, and democracy. His case is that Zimbabwe is a police state, which has inherited pre-independence totalitarianism; members of the Government are in politics for reasons of personal gain - they are unsophisticated, poorly educated and have no notion of public office. He believes that the army and police - whom he compares with those of apartheid South Africa, are the politicians' personal weapons, committing acts of crime and terrorism in the President's name and in their own.

Ancestors
Publisher: Picador (November 22, 1996)
ISBN-10: 0330344900

This novel traces African national history and identity from the turn of the 19th century to the eve of Zimbabwe's independence.

Writers, Writing on Conflicts and Wars in Africa
Publisher: Adonis & Abbey Publishers Ltd (July 31, 2009)  
ISBN-10: 190670452X  

NOTE: This volume of essays was co-written with his colleague Okey Ndibe who teaches at Trinity College in Hartford, CT. This work could be presented in a public discussion as a dialogue between both authors articulating the political experience of writers from Africa.

The book is divided into two broad categories: in one, several writers speak directly, and with rich anecdotal details about the impact wars and conflicts have had in the formation of their experience and work; in the second, a number of scholars articulate how particular writers have assimilated the horrors of wars and conflicts in their literary creations. The result is an invaluable harvest of reflections and perspectives that open the window into an essential, but until now sadly unexplored, facet of the cultural and political experience of African writers. The broad scope of this collection-covering Darfur, the Congolese crisis, Biafra, Zimbabwe, South Africa, among others-is complemented by a certain buoyancy of spirit that runs through most of the essays and anecdotes.  

Shebeen Tales
Publisher: Serif Publishing (October 1997)
ISBN-10: 189795932X 

In Shebeen Tales, Chenjerai offers a view of his country not from the privileged and insulated perspective of the foreign correspondent of well-heeled visitor, but that of the ordinary person who, with the help of dry wit and illegal beer, pokes fun at the rich and mighty. Struggling against drivers, pompous bureaucrats and the other woes of life in the city, the man in the shebeen sees modern Africa as it really is, not as press releases or tourist brochures would have us believe.  

Shadows  
Publisher: Heinemann (October 1992)  
ISBN-10: 0435905910  

The novel was inspired when the author witnessed two young lovers who opted for death instead of life. The two lovers are innocents in a world where people have little control over their lives, struggling to survive in a barren land.

Up in Arms
Publisher: Zimbabwe Pub. House (1982)  
ISBN-10: 0949932175  

In the late 1970s, Hove taught at rural schools and witnessed horrific aspects of the war of liberation, an experience registered in the anger and compassion pervading Up in Arms (1982), his first collection of poetry.
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Miami: City of Refuge is a project of the Florida Center for the Literary Arts at Miami Dade College, which is made possible by the generous financial support of the Knight Foundation. The projects mission is to provide a safe haven for persecuted writers for a period of two years. In January of 2010, the Center welcomed its inaugural Miami: City of Refuge writer-in-residence,  

The Center is a member of an international organization called ICORN (International Cities of Refuge Network) which identifies persecuted writers and aids their safe transition to member cities around the world. The goal is to afford writers a place to live and work free of oppression and share their unique stories with their adopted communities.

Mr. Hove is here in Miami until December 2011 and will share in solidarity his story of exile with students and the community and will write about the issues of political repression and social justice in his native Zimbabwe.

For more information about Hove, please visit http://www.flcenterlitarts.com/mcor/index.htm. and www.miamicityofrefuge.org


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