The Journal of West Indian Literature: Now Online!

The Journal of West Indian Literature has been published twice-yearly by the Departments of Literatures in English of the University of the West Indies since October 1986. Edited by full-time academics, the journal originated at the same time as the first annual conference on West Indian Literature, the brainchild of Edward Baugh, Mervyn Morris and Mark McWatt. It reflects the continued commitment to provide a regional and extra-regional forum for the dissemination and discussion of anglophone Caribbean literary and artistic culture. Initially featuring contributions from scholars in the West Indies, it has become an internationally recognized peer-reviewed academic journal.

JWIL’s editorial board welcomes articles in English that are the result of scholarly research in literary textuality (fiction, prose, drama, film, theory and criticism) of the English-speaking Caribbean; comparative assessments of non-Anglophone Caribbean texts are also accepted, provided that translations into English of the relevant parts of such texts are incorporated into the submission. JWIL will also publish book reviews.

In 2011, founding editor Mark McWatt celebrated JWIL’s twenty-fifth year of publication as a regional, UWI-led Caribbeanist project invested in highlighting and critically examining the prolific literary production of the Anglophone Caribbean. McWatt observed at the time that there was talk about the journal, which printed its first volume in 1986, “becoming exclusively an on-line publication” in the interests of international recognition and access. Of course, things moved slowly when the editors were all full-time academics juggling multiple responsibilities across the three campuses of the University of the West Indies, but only four years afterward, JWIL has indeed transitioned to an online platform. http://www.jwilonline.org/ is the journal’s first website, and it will be the platform for the first online volume: the double-issue Vol. 23 Nos. 1&2, which will appear in late December 2015, and will be open access for a limited time.

Call for Papers: The Caribbean Poetry Project

The Caribbean Poetry Project, is a pioneering collaboration between Cambridge University Faculty of Education, the Centre for Commonwealth Education, and the University of West Indies at Mona (Jamaica), St Augustine (Trinidad) and at Cave Hill (Barbados). Through a joint research and teaching programme, this three-year project will encourage engagement with Caribbean poetry, and improve the teaching and learning of Caribbean poetry in both British and Caribbean schools.


Peepal Tree Press is delighted to be a partner and associate member of the CPP team, collaborating on a poetry anthology. This will focus very much on contemporary caribbean poetry, the aim of the collection is to introduce young people to Caribbean poets and new work. Students and teachers taking the Teaching Caribbean Poetry Course in Jamaica, Trinidad, Barbados and the UK will participate in the selection of work. The anthology will be edited by Jeremy Poynting, Peepal Tree Press, and Dorothea Smartt, poet and Peepal Tree's CPP advisory panel representative.

CARIBBEAN POETRY PROJECT

http://caribbeanpoetry.educ.cam.ac.uk

The Power of Caribbean Poetry - Word and Sound

A conference on Caribbean poetry,

Homerton College, Cambridge University, Faculty of Education

Thursday 20 – Saturday 22 Sept 2012

Speakers / performers include: John Agard, Beverley Bryan, Kei Miller, Mervyn Morris, Grace Nichols, Velma Pollard, Olive Senior, Dorothea Smartt

The first two days of this international gathering will take the form of an academic conference, the final day having a more educational focus and therefore likely to appeal to teachers as well as scholars. Members of the Caribbean Poetry Project from Cambridge University Faculty of Education and the University of West Indies will be hosting the conference and disseminating its outcomes. Marilyn Brocklehurst’s bookshop will be available throughout the conference and some project partners, such as the online Poetry Archive and Peepal Tree Press, will be represented.

CALL FOR PAPERS

·      Caribbean poetry and the word
·      Origins and histories of Caribbean poetry
·      Particular poets e.g. appreciation of the work of Derek Walcott / Kamau Brathwaite
·      Re-reading Caribbean poetry
·      Caribbean poetry and music
·      Ecocriticism and Caribbean poetry
·      Caribbean landscapes
·      Poetry as emancipation
·      Caribbean British poetry
·      Approaches to learning and teaching Caribbean poetry
·      Migration and location in Caribbean poetry
·      Gender in Caribbean poetry
·      Caribbean poetry and postcolonial theory
·      Caribbean poetry and the curriculum

Abstracts (300 words approx.) should be sent to Bryony Horsley-Heather (bsjh2@cam.ac.uk) by the end of MARCH 2012.

Conference fees including lunch, dinner, tea & coffee will be £200. Day rate £75 for 20th, £100 for 21st and £70 for 22nd for bookings before May 1st 2012. Accommodation available at Homerton College at £60 per night. Online registration will be available via the website from November 2011 - See http://caribbeanpoetry.educ.cam.ac.uk/ for updates.

For further information, contact Morag Styles (ms104@cam.ac.uk) or Bryony Horsley- Heather (bsjh2@cam.ac.uk) or visit http://caribbeanpoetry.educ.cam.ac.uk

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The Vistas of Caribbean Literature@ UWI

The 29th Annual West Indian Literature Conference starts on Friday presented by the Department of Literatures in English, UWI.

Special guests include Lorna Goodison, Shara McCallum, David Chariandy and winners of the Small Axe Literary Competition 2009 : Tanya Shirley, Ashley Rousseau and Monica Minnott.

The conference is open to the public with no cover charge.

Please follow this link for the program: (.pdf format): Caribbean Vistas @ UWI

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Via: YardEdge

Mark Your Calendar: Rex Speaks (2/17/2010)

Many outside the Caribbean may not understand the impact of Prof. Rex Nettleford's scholarship on Jamaican/Caribbean culture. Therefore, on February 17, 2010, I will be publishing a speech that Professor Nettleford gave on the First Annual Arts Festival at Broward Community College (2003).

Known for his deeply insightful ruminations on just about every aspect of Caribbean life, Prof. Nettleford spoke on cultural diversity and its impact on the political and economic development in the Caribbean basin.

The speech was recorded and edited by Olivier Stephenson.

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That's the official statement. Rex Nettleford was a scholar, trade unionist, dancer--and much more. He embodied an elegance that always urged his audience to reach beyond the world of the senses toward an aesthetic that was grounded in in the mind, body, and spirit of our people.

Rex Nettleford understood and revealed our deepest contradictions: our bravado and our modesty; savagery and gentleness; the expansiveness of our hearts and mean-spirited-ness of our minds.

He challenged us to love ourselves, our artists, our religions--everything about us that made us beautiful, even as we shed those parts of ourselves that were deformed and disfigured by slavery and colonialism. And we believed him.

For whenever he appeared in public, he was always an image of dignity, of compassion, of strength, who as a guardian of our mythologies and ways of the folk,  encouraged us to discover individually that terrifying space between tradition and the unknown--whose body guided by his remarkable intellect became a metaphor of our creative genius.

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Here are a few of the books written by Rex Nettleford:

Mirror Mirror: Identity, Race, and Protest in Jamaica (1970), Caribbean Cultural Identity (1978), Dance Jamaica: Cultural Definition and Artistic Discovery (1985), Inward Stretch, Outward Reach: A Voice from the Caribbean (1993), and (with Philip Sherlock) The University of the West Indies: A Caribbean Response to the Challenge of Change (1990); and editor of Manley and the New Jamaica (1971), Jamaica In Independence: Essays on the Early Years (1989), and Race, Discourse, and the Origin of the Americas (1995), as well as of Caribbean Quarterly, the University of the West Indies journal of cultural studies.

Source: Active Voice

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