May 11, 2014

Happy Birthday, Kamau!


Dear Kamau,

Opal and I wanted to give you something for your birthday, so we decided to do something that we hope you will like. I have done a podcast of one of your earliest poems from the Caedemon (did I spell it right?) recordings--one of the poems that I liked from the first time I heard it, you know the one. Yes, "Francina." 

And Opal has livicated a poem for your birthday. We have done this tribute because in your poems and life, you have given us an example of how a life should be lived--on its own terms. You have always written how you felt the poem could only be written, and you have taken a lot of criticism over the years for doing that. But where are the critics now? You are still creating, new vibrant poems and you are still leading the way for us.

Give thanks, Kamau.
Here is Opal's poem:

reinscribing
love is not an ideal
but power to render
truth in the present
daily
despite dismay
and hopelessness
gallantry is not going
into battle shielded
by armor
rather refusing to submit
or be silenced
by corruption
or narrow religious zeal
insisting
that the flamboyant tree
will flame red in july
taking the anvil to words
hammering away like ogun
being the voice
echoing
repetitive
perpetual
you i´ve been loving
long before face and voice
brushed my ears
will be loving you
long after
the feel of your hands
have dissipated
one love
walk good
happy birthday, kamau

opal palmer adisa
***

First published 5/11/07

April 29, 2014

Writers wanted - Annual Jamaica Creative Writing Competition 2014 now open


Professional and amateur writers are being encouraged to submit their work for the annual Jamaica Creative Writing Competition 2014, organised by the Jamaica Cultural Development Commission (JCDC).

The deadline for entry is Wednesday, April 30, and forms and guidelines are available at the JCDC's website www.jcdc.gov.jm or at any JCDC parish office.
Writers wanted - Annual Jamaica Creative Writing Competition 2014 now open - Entertainment - Jamaica Gleaner - Monday | April 28, 2014:



'via Blog this'





April 28, 2014

‘Whatless Boys’ wins it for writer Antoni - Stabroek News - Georgetown, Guyana


Winner of the 2014 One Caribbean Media (OCM) Bocas Prize for Caribbean Literature, Robert Antoni, said he will share the US$10,000 prize money with the other finalists.
Antoni was announced as the winner from the top three writers for his book As Flies to Whatless Boys at an awards ceremony at the National Academy for the Performing Arts (NAPA), Port of Spain, on Saturday.
‘Whatless Boys’ wins it for writer Antoni - Stabroek News - Georgetown, Guyana:



'via Blog this'





April 17, 2014

International Poet Christine Craig to Mentor Inaugural Writers’ Retreat in Highgate, St Mary



May is the season for the Literary Arts  and Highgate, St Mary is bearing new fruit with the Drawing Room (DRP) Association’s hosting of a three day Writers’ Retreat (Genre: poetry), from May 23rd to 25th 2014.

Aimed at new to early and mid-career writers and featuring the internationally acclaimed Christine Craig, the retreat will be held at “Country Thyme” agro cottages in Highgate, in the heart of St. Mary.

With writers such as the Honourable Louise Bennett- Coverley, aka Miss Lou, Erna Brodber  and Velma Pollard hailing from Highgate, and with English writers  like Ian Flemming and Noel Coward, who spent years writing in St Mary, the location has become almost synonymous with literature and prestigious writers.  The DRP intends to extend this tradition and become part of the location’s unique identity. 

Craig, a multifaceted writer who focuses on poetry and fiction (both adults and children) leads this inaugural residency, where 12 participants will be guided in their craft towards publication.

“Christine was a natural pick” says Sonja Harris one of three trustees  of the Drawing Room Project Association as “her poetry, collected in the anthology, Quadrille for Tigers, Mina Press, Berkeley CA, is praised for its flair for language, evocative descriptions of the Jamaican landscape, and dramatic imagery of the poignancy and pain of life for many Jamaican women.” (www.amazon.com).,.

The retreat stands to gain from Highgate’s rich culture and history, stimulating the creative process with landscape, architecture, community living and the documenting of indigenous practices that have sustained the area for generations.  But there are also benefits to the community as two low-residency fellowships – The DRP Writers Fellowship and the Bookophilia Young Poets Award – are being offered to students in Highgate. 

Additionally,  on Saturday, May 24 at the venue, from 7pm to 10pm. The public is invited to enjoy readings by the participants, to share their own work and see displays by the Jamaica Hardanga Heritage Trust, Highgate Agricultural Producers Enterprise (H.A.P.E.) and local craftsmen.

It is this unique twist on the literary residency that has enticed corporate visionaries such as the JN Foundation, Jamaica Tourist Board, Jamaica Producers and Bookophila.  As proud sponsors of the event, they are giving gravitas to the idea that rural development and community living are at the heart of corporate responsibility and their organisations’ ethos.  Other sponsors include Poetry Society of Jamaica and Peepal Tree Publishers whose dedication to Caribbean writers needs no proclamation.

Founded by writers Millicent Graham and Joni Jackson, with trustees— Sonja Harris, Hyacinth Hall and George Davis—the Drawing Room Project Association has brought persons together and engaged them in a series of creative conversations through workshops, productions and exhibits. Their goal is to build a better society through introspective art and collaboration.  For the association, this is another stem on Highgate’s literary tradition, following in the footsteps of Brodber’s Black Space and the achievements of past luminaries.


***

April 15, 2014

RESPECT: Honoring the Life and Legacy of Marcus Garvey.


I left the 40th Annual Florida Caribbean Students Association Leadership Conference on April 5, 2014, with a renewed sense of hope for the future leaders of the Caribbean.

After my presentation, RESPECT: Honoring the Life and Legacy of Marcus Garvey, many of the students expressed a desire to learn more about the  exoneration efforts: https://www.causes.com/campaigns/71936-urge-president-obama-to-exonerate-marcus-garvey. 



They were also interested in the connection between Marcus Garvey and Dr. Martin Luther King, Jr. For many, this was the first time they had learned about the values that formed the basis of Garvey’s message: Redemption, Education, Self-Reliance, Purpose, Economics, Community and Tradition.



Give thanks to Miguel Murphy and the organizers of the 40th Annual Florida Caribbean Students Assn Leadership Conference. I am now, more than ever, convinced of the necessity of this cause.



***

The Coalition for the Exoneration of Marcus Garvey is petitioning President Barack Obama to exonerate Marcus Garvey:

https://www.causes.com/campaigns/71936-urge-president-obama-to-exonerate-marcus-garvey

Thank you for your support.

April 14, 2014

An Evening With Donna Aza Weir-Soley





Originally from Jamaica, Dr. Weir-Soley is currently an Associate Professor of English, African & African Diaspora Studies and Women's Studies at Florida International University. A Mellon and a Woodrow Wilson Fellow, Dr. Weir-Soley is the author of a poetry collection, First Rain (Peepal Tree Press, 2006), a scholarly text, Eroticism, Spirituality and Resistance in Black Women's Writings (University Press of Florida, 2009), and co-editor (with Opal Palmer Adisa) of Caribbean Erotic (Peepal Tree Press, 2010), an anthology of poetry, fiction and essays which includes the work of 62 writers from the English-speaking, Spanish-speaking and French-speaking Caribbean. 

An Evening With Donna Aza Weir-Soley
6:00-8:00 p.m.
Room 2151
Miami Dade College, North Campus

April 8, 2014

Poetry and Race: A Reading and Discussion

Poetry and Race

Poetry and Race: A Reading and Discussion with Jaswinder Bolina, Mia Leonin, Geoffrey Philp, and Donna Weir-Soley, presented by O, Miami and the Patricia and Phillip Frost Museum of Science in conjunction with the exhibition, RACE: Are We So Different? 

Patricia and Phillip Frost Museum of Science (map)
3280 S Miami Ave
Miami, FL 33133
Thursday, April 10, 2014
6:00pm – 8:00pm

Jaswinder Bolina is an American poet and essayist. He is author of the collections Phantom Camera, winner of the 2012 Green Rose Prize in Poetry from New Issues Press, and Carrier Wave, winner of the 2006 Colorado Prize for Poetry from the Center for Literary Publishing at Colorado State University. His poems have appeared in numerous literary journals, including being selected for The Best American Poetry. Bolina currently teaches on the M.F.A. faculty at the University of Miami.

Mia Leonin is the author of two books of poetry Braid (Anhinga Press) andUnraveling the Bed (forthcoming from Anhinga Press). She has been awarded an Academy of American Poets Prize and her poems have been nominated for a Pushcart Prize. Leonin’s poetry has been published inNew Letters, Indiana Review, Prairie Schooner, Chelsea and Witness.

Geoffrey Philp, author of the e-book, Bob Marley and Bradford’s iPod, has also written five collections of poetry, two children's e-books,and two short story collections. An award winning writer, whose work explores the themes of masculinity and fatherhood in a Caribbean context, Philp is one of the few writers whose work has been published in the Oxford Book of Caribbean Short Stories and the Oxford Book of Caribbean Verse. His popular blog, geoffreyphilp.blogspot.com, covers literary events in the Caribbean and Miami, where he lives with wife, Nadia, and their three children, Anna, Christina, and Andrew.

Dr. Donna Aza Weir-Soley is originally from Jamaica. She is currently an Associate Professor of English, African & African Diaspora Studies and Women's Studies at Florida International University. Dr. Weir-Soley is both a Mellon and a Woodrow Wilson Fellow. She is the author of a poetry collection, First Rain (Peepal Tree Press, 2006), a scholarly text, Eroticism, Spirituality and Resistance in Black Women's Writings (University Press of Florida, 2009), and co-editor (with Opal Palmer Adisa) of Caribbean Erotic (Peepal Tree Press, 2010), an anthology of poetry, fiction and essays which includes the work of 62 writers from the English-speaking, Spanish-speaking and French-speaking Caribbean. 



April 7, 2014

April 2, 2014

The Caribbean Digital


The Caribbean Digital
a small axe event




The transformation of the academy by the digital revolution presents challenges to customary ways of learning, teaching, conducting research, and presenting findings. It also offers great opportunities in each of these areas. New media enable oration, graphics, objects, and even embodied performance to supplement existing forms of scholarly production as well as to constitute entirely original platforms. Textual artifacts have been rendered literally and figuratively three-dimensional; opportunities for interdisciplinary collaboration have expanded exponentially; information has been made more accessible and research made more efficient on multiple levels. Scholars are called upon, with some urgency, to adapt their research and pedagogical methods to an academic climate deluged by a superabundance of information and analysis. This has created opportunities for open-ended and multiform engagements, interactive and continually updating archives and other databases, cartographic applications that enrich places with historical information, and online dialogues with peers and the public.

The need for such engagements is especially immediate among the people of the Caribbean and its diasporas. Information technology has become an increasingly significant part of the way that people frame pressing social problems and political aspirations. Aesthetic media like photography and painting—because they are relatively inexpensive and do not rely on literacy or formal training—have become popular among economically dispossessed and politically marginalized constituencies. Moreover, the Internet is analogous in important ways to the Caribbean itself as dynamic and fluid cultural space: it is generated from disparate places and by disparate peoples; it challenges fundamentally the geographical and physical barriers that disrupt or disallow connection; and it places others and elsewheres in relentless relation. Yet while we celebrate these opportunities for connectedness, we also must make certain that the digital realm undermine and confront rather than re-inscribe forms of silencing and exclusion in the Caribbean.

In this unique one-day public forum we intend to engage critically with the digital as practice and as historicized societal phenomenon, reflecting on the challenges and opportunities presented by the media technologies that evermore intensely reconfigure the social and geographic contours of the Caribbean. We invite presentations that explicitly evoke:  


  • the transatlantic, collaborative, and/or interdisciplinary possibilities and limitations of digital technologies in the Caribbean metaphorical linkages between the digital and such Caribbean philosophical, ethical, and aesthetic concepts as "submarine unity," the rhizome, Relation, the spiral, repeating islands, creolization, etc.
  • gendered dimensions of the digital in the Caribbean 
  • the connection between digital technologies and practices of the so-called Caribbean folk
  • specific engagements with digital spaces and/or theories by individual Caribbean artists and intellectuals
  • the ways in which digital technologies have impacted or shaped understandings of specific Caribbean political phenomena (e.g. sovereignty, reparations, transnationalism, migration, etc.)
  • structural means of facilitating broad engagement, communication, and accessibility in the Caribbean digital context (cultivation of multilingual spaces, attentiveness to the material/hardware limitations of various populations)


Both traditional papers and integrally multimedia papers/presentations are welcome. We also welcome virtual synchronous presentations by invited participants who cannot travel to New York City to attend the event. Selected proceedings from this forum will be published in the inaugural issue (September 2015) of sx:archipelagos – an interactive, born-digital, print-possible, peer-reviewed Small Axe Project publication.

Abstracts of 300 words and a short bio should be sent to Kaiama L. Glover and Kelly Baker Josephs (archipelagos@smallaxe.net) by 1 June 2014. Successful applicants will be notified by 1 August 2014.

April 1, 2014

And then, there were three


Two writers from Jamaica and one from Trinidad and Tobago have made the shortlist for the 2014 OCM Bocas Prize for Caribbean Literature. They will vie for the US$10,000 cash award. Sponsored by One Caribbean Media (OCM), parent company of the Express and TV6, the prize is presented as part of the annual literary festival, the NGC Bocas Lit Fest.

From a long list of ten titles in poetry, fiction, and non-fiction, the prize judges have chosen a winning book in each category.
  
Kei Miller’s Writing Down the Vision was chosen from the non-fiction list, and fellow Jamaican Lorna Goodison’s Oracabessa was selected from the poetry category, while Trinidadian Robert Antoni’s As Flies to Whatless Boys was chosen from the fiction list. 

Miller’s work, Writing Down the Vision, is a collection of essays that present a range of experiences—personal and public—which the writer uses to articulate his vision and understanding of the realities of life in Jamaica and the Caribbean.

The judges praised Miller, saying: “Miller is an original thinker, a writer who knows his own mind and is wary of orthodoxies. He is uncompromising and honest in his interrogation of issues and his experiences of the worlds he inhabits, cutting through the normalcy to reveal the realities of these worlds.” 

Oracabessa by Goodison is a book of risky journeys, mappings and re-mappings through Spain, Portugal, Canada and her homeland of Jamaica as the poet navigates place, history and imagination.

According to the judges: “In Oracabessa the distinctive voice of Lorna Goodison—an elegant, captivating fusion of international English and Jamaican Creole—presents segments of autobiography as a series of travels. Goodison’s persuasive art is a many-sided celebration of spiritual search.” 

Antoni’s novel, As Flies to Whatless Boys, is accented with West Indian cadence and captivating humour. It provides an unforgettable glimpse into 19th-century Trinidad and Tobago.

The judges added: “With mischief, ingenuity and linguistic verve, Antoni reinvents the idea of the region’s islands as zones of perilous fantasy, where dreams come to grief but still make history.” 

The winner of the overall OCM Bocas Prize will be announced on Saturday, April 26, as part of the fourth annual NGC Bocas Lit Fest.

The 2013 prize was won by Monique Roffey for her novel Archipelago; the 2012 prize was won by Trinidadian Earl Lovelace for his novel Is Just a Movie; and Nobel Laureate Derek Walcott was winner of the inaugural 2011 prize for his poetry collection White Egrets.

The final cross-genre judging panel, headed by celebrated Jamaican poet Linton Kwesi Johnson, will include poet and academic Mervyn Morris, writer and academic Hazel Simmons-McDonald, literary critic and academic Ken Ramchand and Marjorie Thorpe as representative of the prize administrators.

For further information, visit www.bocaslitfest.com/ocm-bocas-prize

2014 OCM BOCAS PRIZE WINNERS:

FICTION: Robert Antoni – As Flies to Whatless Boys – Akashic Books 
POETRY: Lorna Goodison – Oracabessa –Carcanet
NON-FICTION: Kei Miller – Writing Down the Vision – Peepal Tree Press

March 20, 2014

Writers from 4 Caribbean Countries in the Running for 2014 Hollick Arvon Prize

Bocas Lit Fest


Two emerging Jamaican writers, one from Grenada, one from St Vincent, and four from Trinidad and Tobago are the eight finalists for the much-coveted 2014 Hollick Arvon Caribbean Writers Prize, now in its second year.

The Prize, administered by The Bocas Lit Fest and worth a total of US$15,000, will give the winning Caribbean-based writer time to advance a non-fiction work in progress. It includes a year’s mentoring by an established author and travel to the United Kingdom to attend a one-week intensive creative writing course of their choice at Arvon.

The winning writer will also receive a cash award of 3,000GBP or US$4,500, have three days in London to network with literary professionals, hosted by the UK’s leading creative writing organisation, Arvon, in association with Free Word Centre and agents Rogers, Coleridge & White who have first option of agenting the winning writer.

It was a blind competition among 27 entrants.  “We had no idea who we were judging and we were impressed by the general high quality of the works submitted. They ranged from the academic to the personal and were generally imbued with original insights. Many of the works were directed at adult audiences but some were aimed at children and young adults”, said UWI Professor Funso Aiyejina, chair of the international judging panel of five that comprises Lord Hollick - sponsor of the award, Godfrey Smith - 2012 non-fiction winner of the OCM Bocas Prize, Ruth Borthwick of Arvon, and London literary agent, Jennifer Hewson.

A statement from the judges says, “Many of the works were eloquent, insightful, passionate and exciting. Some entries were very ambitious in scope but managed to remain focused on their subject matters. The judges are convinced that the works in contention for the prize venture beyond the safe shores of established themes and promise to create new boundaries for the Caribbean non-fiction genre.”

Marina Salandy-Brown, festival director and co-founder of the Prize, remarked the gender mix of Prize entrants. “In 2013 we had fewer male writers entering their work for fiction but this year there were six, which is a much higher proportion of male entrants for this non-fiction genre of writing, even though only one of them made it onto the list of finalists.”


The winner will be announced at the 2014 NGC Bocas Lit Fest, Trinidad and Tobago’s annual literary festival which runs from 23 to 27 April in Port of Spain at the National Library.

The National Gas Company of Trinidad and Tobago is title sponsor of the Trinidad and Tobago annual literary festival, now in its fourth year. One Caribbean Media is sponsor of the OCM Bocas Prize for Caribbean Literature. The Ministry of Planning & Sustainable is a main sponsor and First Citizens, flow and Courts are supporting sponsors.

See www.bocaslitfest.com for more information.

2014 Non-fiction Finalists

Turn Around, Judy Antoine, Grenada
Let It Fly, Melissa Balgobin, Trinidad and Tobago
Split Level, Rhoda Bharath, Trinidad and Tobago
17 Rest House Road, Ira Mathur, Trinidad and Tobago
Loving Jamaica, Diana McCaulay, Jamaica
The Plight of the Humanitarian Aid Worker, Nadine McNeil, Jamaica
Canouan Suite, Philip Nanton, St. Vincent
Richard Bridgens, Judy Raymond, Trinidad and Tobago




March 18, 2014

Jamaica Ex-Police Association of South Florida, Inc. Scholarship Programme



Jamaica Ex-Police Association of South Florida, Inc.
SCHOLARSHIP PROGRAMME

Requirements for Awarding Scholarship
The goal
 The organization will award to an individual annually, a one-time scholarship, to encourage the recipient to achieve a higher educational standard. (The association will determine the value amount.)
The objective
1        Show community involvement.
2        Encourage, and show commitment to the achievement of higher education by members of the community.
3        Project a positive image of the association.
Criteria for obtaining scholarship: (Local - USA)
(1)   Applicant should be a lawful resident of the tri-county:  Palm Beach, Broward, or Miami-Dade County.
(2)   Applicant should provide proof of residency.
(3)   Applicant should be an undergraduate student in a 2-4 year college, or should have already been accepted in a 2-4 year institution.
(4)   Applicant should write a two-page essay stating why he/she should be awarded this scholarship. Essay should be typed in size 12 Font, and double spaced.
(5)   Applications should be submitted by March 31, 2014.
Procedure: 
1. Advertisement will be done through community news release, print media, or electronic means.
2. Committee will review applications and choose, based on academics, aptitude and community involvement.
3. Selection will be made by April 12, 2014, and the recipient informed by April 15, 2014.
4. Presentation will be made at the annual ball, where the recipient and one chaperone will be invited guests. 
5. The president or his designee will make the presentation.
Criteria for Scholarship: (JAMAICA)
(1)   Applicant must be accepted in, or is a high school student.
(2)   Money awarded can ONLY be used to purchase school supplies (books, uniforms etc).
(3)   Disbursement should be “as needed for the period of 1 year.”
(4)   Disbursement is to be administered by the principal of the recipient’s school with a report on expenditures.
(5)   Selection is made by the Police Community Relations Department. (It is recognized that officers from the department are drawn from all divisions and selection should not exclude any division.)
(6)   Award is to be made to the recipient at the police station refurbishing project. A reception will be held late afternoon on the day the project is implemented. The 2014 project is slated for Tuesday, June 3, 2014, at the Area 1 Police Headquarters located at Sewell Avenue, Montego Bay, St. James.    
(7)   The Community Relation personnel is to monitor performance, and disbursements.
(8)   Contingent on continued disbursement, awardee must be attending school, and performing within a reasonable standard.
(9)   Failing (8) above, Community Relations Officer can make representation to Jamaica Ex-Police Association of South Florida, Inc. for scholarship to be withdrawn.
  1. Based on a recommendation another awardee will be identified, and receive partial scholarship for remainder of the school year or funds whichever is appropriate.
  2. The decision of the Scholarship Committee is final.

Awards committee: Prof. Eulett McKnight-Samms: (305) 237-8125;
Ms. Jasmine Martin (954) 610-8042 ; & Roy Bennett (954) 297-8777.