Showing posts with label The Betsy Hotel. Show all posts
Showing posts with label The Betsy Hotel. Show all posts

June 19, 2021

Celebrate Juneteenth at The Betsy Hotel

Geoffrey Philp

In South Beach, it’ll be a big night The Betsy Hotel, 1440 Ocean Drive. On June 19, from 6 to 11 p.m., there will be live jazz in the lobby by pianist Allen Paul and singers Carole Ann Taylor, Brenda Alford, Nicole Yarling, and Leesa Richards.

Outside, from 9 to 9:30 p.m. at the Poetry Rail in the adjacent alley, poets Rebecca “Butterfly” Vaughns and Geoffrey Philp are scheduled to appear, along with jazz saxophonist and peace activist Gregory LeDon, who will accompany them with improvisations. Both events are free.

#Juneteenth

Deborah Plutzik Briggs, EdD

VP Arts and Community, The Betsy Hotel

Director - The Betsy Community Fund @ The Miami Foundation

Director - PG Family Foundation



September 29, 2019

Funny, You Don't Look Jewish

geoffrey philp


About eighteen months after my post about DNA testing, my life took an unexpected turn. I was contacted by a cousin in Canada, who revealed to me that my maternal grandmother was Jewish. I never knew about that part of my family‘s history because my grandmother died when my mother was still a child and my grandmother’s story went with her to the grave.

Since then and through a series of fortuitous events, I have been working with the New Voices Project, which focuses on the moral lessons of the Holocaust, and my poem “Flying African,” has become part of their PSA for a forthcoming book, New Voices: Contemporary Writers Confronting the Holocaust.

The research has been harrowing, but I’ve been using the work of Gregory H. Stanton, The 8 Stages of Genocide, as a conceptual guide. I’ve also been fortunate enough to receive a residency in “The Writer’s Room” at The Betsy Hotel, where I will be able to devote myself fully to research and writing.

Then, on October 3, 2019, as part of The Betsy Hotel’s “Meet the Artist” series, I will be reading some more of the poems that I’ve written.

So, if you’re in town, please join me at The Betsy Hotel at 5.p.m. as I embark on this new phase into my genetic history.

Here is another of the poems--which seems appropriate for today--that I've written so far.


The Shofar of Auschwitz

Rosh Hashanah, 1944
For Chaskel Tydor

It may not be a miracle like on Hanukkah,
but finding the shofar days before Rosh Hashanah,
when the Talmud teaches that Joseph was freed
from prison on the first day of the new year,
when the impossible is possible if we stay open,
made us think that maybe, this was a sign
Hashem had not abandoned us to our murderers.
So, in spite of the death, disease, and torture
that plagued the Lager, where to perform a mitzvah,
like a mishloach minot or teaching the Pirkei Avot
could be rewarded by the fascists with a bullet
to the back of my head. But I didn’t care.
The shofar on my lips, I blew as if my life depended
on it, and then, a year later, three miles off the coast
of Palestine, as if to say, "We are still here. The tribe lives on."